La dramaturgia del espacio: una lectura de los Shakespeares del Teatre Lliure (1977-2007)

• Autores: Marina Simone Dias
• Directores de la Tesis: Sara del Carmen Rojo de la Rosa (dir. tes.), Antoni Ramón Graells (dir. tes.)
• Lectura: En la Universitat Politècnica de Catalunya (UPC) ( España ) en 2014
• Idioma: español
• Tribunal Calificador de la Tesis: José Víctor Molina Escobar (presid.), Pedro Azara Nicolás (secret.), Ana Solanilla Roselló (voc.)
• Materias:
  • Historia
    • Historias por especialidades
      • Historia de la arquitectura
  • Ciencias de las artes y las letras
    • Teoría análisis y critica literarias
• Enlaces
  • Tesis en acceso abierto en: TDX
• Resumen

  • The thesis makes a tour on the shakespearian theatrical creations made at the Teatre Lliure in the last thirty years (1977-2007), offering a vision of their stage poetic, and studying the interrelationships between the space, the art and the culture, and specifically, between the dramatic shakespearian text and the theatrical/stage space in the plays' local and contemporary context. The thesis worked on an interdisciplinary theoretical framework, with concepts from semiotics, linguistics and literary theory, as well as sociology, anthropology, psychology, among other fields of knowledge, as aesthetics of reception and cultural studies. The research hypothesis is the presence of the space dramaturgy in the Teatre Lliure's theatrical praxis, to verify the connection between the previous approaches and goals, culminating in the plays' analysis. The Teatre Lliure was analyzed and contrasted with both currents of thought, Catalan contemporary independent theater movements, and the Shakespeare's Theatre. lt's theatrical spaces -Sala Lliure de Gracia and Sala Fabià Puigserver- as well as the plays analyzed -Titus Andrònic, Al vostre gust, Juli Cèsar, Romeu i Julieta, Ricard 3r and Otel·lo- reveal the interrelationship and dialectics between dramaturgy, space and public, specifically studied. The analysis also goals to the conditions, outcomes and meanings derived from the inclusion of a classical work of the world drama in contemporary Catalan culture, from the perspective of an architect and -considering some level of subjectivity-a spectator.