The image of poetry in modern Jordanian art: an analytic study for painting and graphic arts
- Autores: Jehad Hasan Ibrahem Al Ameri
- Directores de la Tesis: Isidro López Aparicio Pérez (dir. tes.), Khaled Alhamza (codir. tes.)
- Lectura: En la Universidad de Granada ( España ) en 2013
- Idioma: español
- Tribunal Calificador de la Tesis: Pedro Osakar Olaiz (presid.), Asunción Jódar Miñarro (secret.), Federico Castro Morales (voc.), Carmen Lloret Ferrándiz (voc.), Mª Isabel Moreno Montero (voc.)
- Materias:
- Enlaces
- Tesis en acceso abierto en: DIGIBUG
- Resumen
The research is summarized in its topic ¿The image of poetry in contemporary Jordanian art, an analytical study in painting and graphic artworks¿, with the attempt of investigating and reading the image of poetry in contemporary Jordanian art during the first decade of the twenty first century, and revealing the poetic contents artists worked on; in addition to presenting the researcher¿s artistic experience in this field. In order to achieve that, the researcher has accomplished five chapters of this study: the first chapter presented the design and methodology of the research, by raising a number of questions about the image of poetry in Jordanian contemporary art, these questions are: -What is the extent of inspiring from poetry in contemporary Jordanian art? -Were Jordanian artists able to represent poems though painting and graphic? -What are the poetic contents Jordanian artists used in their artworks? -Did Jordanian artists produce artworks that are independent from the content of the poems, or simulating it? -What are the artistic styles and methods of producing artworks Jordanian artists used when working on poetry? The second chapter is about previous studies, where the artist presented six studies related to his study (three studies in Arab language, and three in English language). The third chapter is about the theoretical frame including three parts: First: the image between poetry and painting; second: poetry and painting in contemporary Arab art; third: poetry and painting in Jordanian contemporary art.
The fourth chapter is an analysis of the samples of the research, where 14 artworks were analyzed, in addition o presenting the researcher¿s personal experience.
The fifth chapter includes the findings of the research; of these findings: ¿There were a lot of topics which the artists worked on, but mostly the main topics were the occupation of land ¿occupation of Palestine- and representing the Palestinian tragedy which Jordanian artists were very much affected by through working on the poems of the most distinct Palestinian poets including Mahmoud Darwish who¿s known for writing about the resistance and the stolen land with developing his poetic language into an indirect speech that is full with longing to Palestine ¿The Arab Cause¿. The death of Darwish also caused a lot of artwork, painting and graphic, as a celebration of his poems.
¿Arabic calligraphy was present in the researcher¿s artworks to complete the artwork, not in a readable way.
¿The visual readings of poetic scripts varied in the produced artworks; it included direct borrowings of images in the poem¿s content in some artworks, and spatial borrowings in other artworks, like the desert, Jerusalem, and Granada.
¿The image of the place were clear in the poems the researcher used in his artwork, which he concentrated on in building his artworks, like Jerusalem, Granada, and childhood places.
¿The researcher used multiple methods in producing his artworks that are based on poetry, but graphic works were clear with its different forms, either as paintings or as art books.
