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Resumen de “Los valores de la memoria en el proyecto arquitectónico”

María Gabriela Rivera Rivero

  • In the architectonic project a crossover of tangible and intangible aspects reflected in the design process has given answer to the intentionality and social motivation of the Architect. This answer flows from the virtual to the real things with tools of the memory and it is demonstrated in the representation. Two concepts will be fundamental for the development of the thesis: Representation and Memory, axes of the objective that sets out to reach: Analyse the values of the memory present during the design process, through the representation of the architectonic project.

    The development of the thesis is framed within line 3 of the doctorate in architectonic projects, including a dialogic approach, made up of the dimensions: ethics, aesthetic and logical; and by the hermeneutic vision of the Architecture that crosses a circle in continuous movement from the design, the construction and the use. The subject is structured into three fundamental parts:

    I. In first place it is considered the study of memory¿s phenomenology, to develop a parallelism towards Architecture¿s field. This first part is titled "the palace of the memory and the Architecture", remembering the metaphor of the Palace used by San Agustín to exemplify the wealth and magnitude of the memory for the humankind. The departure point is the investigation on the theoretical notions about the subject of the memory, that interest us in the scope of design, to take step later to its action in the architectonic ideation with the support of the inverted cone raised by Bergson, that illustrates the memory in action. Finally, we will be able to see the relation between the memory and the representation; for this purpose it is constructed a dialogic base with the crossing of the results and positions of three thesis on drawing-narration, design-education and representation of the architect¿s intentions.

    II. The second part is centered in the analysis of the dialogue between Architecture and memor


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