Manual del viajero en México (1858), de Marcos Arróniz. Apuntes en torno a un narrador costumbrista / Manual del viajero en México (1858), by Marcos Arróniz. Notes about a costumbrista narrator

• Bobadilla Encinas, Gerardo Francisco ^[1]
  1. [1] Universidad de Sonora

     Universidad de Sonora

     México

     
• Localización: Nóesis: Revista de Ciencias Sociales y Humanidades, ISSN 0188-9834, ISSN-e 2395-8669, Vol. 28, Nº. 55, 1, 2019, págs. 75-89
• Idioma: español
• Títulos paralelos:
  • Manual del viajero en México (1858), by Marcos Arróniz. Notes about a costumbrista narrator
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• Resumen
  • español

    Una de las grandes lagunas de la literatura mexicana del siglo XIX está referida al estudio y conocimiento de la segunda generación romántica y de las características de la literatura costumbrista escrita entre 1836 y 1855. Con la intención de subsanar esas omisiones, el presente ensayo busca estudiar una de las figuras más representativas de esa generación, Marcos Arróniz, quien aparte de ser un adelantado a su época en el ámbito de la lírica, fue una figura que pudo revolucionar la práctica costumbrista en la tradición narrativa nacional. AbstractOne of the great omissions in Mexican literature of the nineteenth century is referred to the study and knowledge of the second romantic generation and the characteristics of the literature of manners written between 1836 and 1855.With the intention of correcting these omissions, the present essay seeks to study one of the most representative figures of that generation, Marcos Arróniz, who apart from being ahead of his time in the field of lyric, was a figure who could revolutionize the practice manners in the national narrative tradition. 

  • English

    One of the great omissions in Mexican literature of the nineteenth century is referred to the study and knowledge of the second romantic generation and the characteristics of the literature of manners written between 1836 and 1855.With the intention of correcting these omissions, the present essay seeks to study one of the most representative figures of that generation, Marcos Arróniz, who apart from being ahead of his time in the field of lyric, was a figure who could revolutionize the practice manners in the national narrative tradition.