Kate Chopin around the World: Global Perspectives offers a fresh, international lens on Chopin’s impact on readers around the world. Contributors from multiple continents situate Chopin’s fiction within national and regional locales, reflecting on the reading, researching, and teaching of her work through different cultural lenses. Essays, from both new and seasoned Chopin scholars, draw from a range of critical approaches to demonstrate the broad-reaching effects Chopin has had around the globe. At times, their essays are personal, as contributors reflect on the profound effect the author’s fiction had on their lives, research, and even students. Read together, the essays offer a rich conversation with a multiplicity of perspectives from different countries and cultures, demonstrating the incredible influence Chopin—a nineteenth-century American widow who sought to support her six children through her writing—has had on readers, scholars, and teachers for generations.
págs. 1-9
From the Beginning: Kate Chopin's Works in France
Bernard Koloski, Monique Oyallon (trad.)
págs. 13-29
págs. 31-43
Reading Kate Chopin as a Brazilian: A transnational and transcultural approach
págs. 45-58
What did she die of?: "The Story of an Hour" in the Middle East classroom
págs. 59-70
"Moments of Life Told in Detail": Kate Chopin in Russia
págs. 71-79
págs. 83-104
Writing is power: The transnational literary dialogue in Kate Chopin's "A Pair of Silk Stockings" and Emilia Pardo Bazán's "Las medias rojas"
págs. 105-119
Leisure, labor and learning: Gendered economics and the German bildungsroman in Kate Chopin's short stories and novels
págs. 121-140
Transatlantic convents, global sisterhood: Laywomen and Nuns in Kate Chopin's "Lilacs" and Edna O'Brien's "Sister Imelda"
págs. 141-157
The gothic borderlans: Monstrous maternity and hideous, patriarchal progeny in Mary Shelley's Frankenstein and Kate Chopin's The Awakening
págs. 159-179
págs. 183-197
© 2001-2026 Fundación Dialnet · Todos los derechos reservados