Información General

• Autores: Silke von Lewinski (coord.)
• Editores: Walter de Gruyter GmbH
• Año de publicación: 2017
• País: Alemania
• Idioma: inglés
• ISBN: 978-3-11-045001-9
• Texto completo no disponible (Saber más ...)

Resumen

• Royalty payments are once again becoming a hot button issue for artists and intellectual property holders, because they fail to receive adequate compensation for the use of their work on the internet. This volume from the 2015 ALAI Congress contributes to the international discussion of this issue by examining the causes of the problem and possible solutions, including a set of business models to compensate for internet usage. The volume contains mainly English as well as French and Spanish contributions

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Keynote: Examples for business models in the digitalenvironment and their legal assessment

    Stefanie Hubig

    págs. 311-319

    

  • Examples for business models in the digitalenvironment and their legal assessment: introduction

    Matthias Leistner

    págs. 320-321

    

  • Exclusive Rights

    • Exclusive Rights: Introduction

      Thomas Dreier

      págs. 15-16

      

    • Ámbito y mecanismos de ejecución para asegurarla remuneración, parte A del cuestionario: lnforme general

      Marshall Leaffer

      págs. 53-71

      

    • Mecanismos destinados a garantizar una remuneración apropiada a los creadores y artistas-interpretes: informe general

      Tristán Azzi

      págs. 98-110

      

  • Statutory remuneration rights

    • Droits (legaux) a remuneration: introduction

      Pierre-Yves Gautier

      pág. 111

      

    • Ámbito y mecanismos de ejecución para asegurarla remuneración: informe general

      Christophe Geiger, Oleksandr Bulayenko

      págs. 158-182

      

    • Mecanismos con vistas a garantizar una remuneraciónadecuada para creadores e artistas interpretes o ejecutantes: informe general

      Tobias Holzmiiller

      págs. 202-211

      

  • Could and should the approach of the German Copyright Act of 1965 (limitation and statutory remuneration right for private copy) be further developed?

    • Could and should the approach of the German Copyright Act of 1965(limitation and statutory remuneration right for private copy) be further developed?: introduction

      Michel M. Walter

      págs. 215-216

      

    • Le regime allemand de copie privee comme modele structurant du droitd'auteur

      Ysolde Gendreau

      págs. 217-224

      

    • Exclusive vs. Remunerative Rights: The Third Way

      Richard Pfohl

      págs. 225-233

      

    • The making available right for performers in Spain: a case of a statutory remuneration right managed by performers' collecting societies

      Paloma Lopéz

      págs. 234-237

      

    • Artenschutz für ein anachronistisches Rechtsinstitut - cui bono?

      Rainald Ludewig

      págs. 238-242

      

  • How could contract law mechanisms be developed to improve economic protection of creators and performers?

    • How could contract law mechanisms be developed to improve economic protection of creators and performers?: introduction

      Frank Gotzen

      pág. 243

      

    • La remuneration de l'auteur dans la reforme française du contrat d'edition du 12 novembre 2014

      Pierre Sirinelli

      págs. 244-254

      

    • A model that may indeed help

      Silke von Lewinski

      págs. 255-258

      

    • L'article 5.7 de la directive 2014/26/UE, une introduction diabolique du droit des contrats dans le droit d'auteur de l'Union europeenne

      Sylvie Nérisson

      págs. 259-265

      

    • Contract law mechanisms from a practitioner's view

      Rudolf Leska

      págs. 266-268

      

  • Remuneration based on the national budget (examples: Spanish and Israeli private copy system) or alternative models: potential for development?

    • Remuneration based on the national budget (examples: Spanish andIsraeli private copy system) or alternative models: potential for development?: introduction

      Gillian Davies

      pág. 269

      

    • Spain is different: Los problemas de ajuste del sistema español con la Directiva 2001/29 en materia de compensación equitativa derivada de reproducciones para uso privado

      Ignacio Garrote Fernández-Díez

      págs. 270-281

      

    • The Compensation Regime in Israel for Private Copying on Blank Cassettes

      Tamir Afori

      págs. 282-288

      

    • Compensation for Private Recording: Experiences in Japan and their Implications

      Helga Tabuchi

      págs. 289-297

      

    • Alternative compensation models for large-scale non-commercial on lineuse of works

      João Pedro Quintais

      págs. 298-306

      

  • Music Flatrates

    • Music Flatrates - Presentation and legal assessment

      Álvaro Hernández Pinzón

      págs. 322-326

      

  • CCC/Rights Direct and VG Wort

    • CCC/RightsDirect

      Frederic Haber

      págs. 327-333

      

    • Legal Assessment - The VG WORT Digital Licence

      Robert Staats

      págs. 334-337

      

  • "Micro Licensing" - Examples from the German Games Industry

    • "Micro Licensing" - Examples from the German Games Industry: Presentation

      Olaf Wolters

      págs. 338-339

      

    • "Micro Licensing" - Examples from the German Games Industry: Legal Assessment

      Ole Jani

      págs. 340-342

      

  • Open Access in Science Publishing

    • Presentation - Open Access and Public Research

      Frank Sander

      págs. 344-350

      

    • Open Access in Science Publishi: Legal Assessment

      Carlo Scollo Lavizzari

      págs. 351-355

      

  • Payment-based on line access to newspapers

    • Modetos de negocio de prensa digital: presentación

      Patricia Riera Barsallo

      págs. 356-359

      

    • Payment-based on line access to newspapers: Legal Assessment

      Rafael Sánchez Aristi

      págs. 360-365

      

  • Free, advertisement-based services

    • The example of remuneration on YouTube through Content ID

      Cédric Manara

      págs. 366-369

      

    • Free, advertisement-based services: Legal Assessment

      Rafal Sikorski

      págs. 370-371

      

  • Need for regulation of such business models?

    • Need for regulation of such business models?: introduction

      Mihály Ficsor

      págs. 375-381

      

    • Do Copyright Related Business Models Need to be Regulated?

      Susy Frankel

      págs. 382-387

      

    • The roles for intervention and for the market

      Jørgen Blomqvist

      págs. 388-390

      

    • Open Access and remuneration of researchers: considerations on the author's perspective

      Maria Mercedes Frabboni

      págs. 391-399

      

    • Need and options for regulatory intervention

      Pal Tomori

      págs. 400-403

      

  • Role of collective administration in such business models?

    • Role of collective administration in such business models?: Introduction

      Raquel Xalabarder Plantada

      págs. 404-405

      

    • Possible roles for CMOs in new business models

      Martin Schaefer

      págs. 406-409

      

    • The Role of Collective Management Organisations in New Business Models - Challenges for the Legislature and Courts

      Romana Matanovac Vuckovic

      págs. 410-418

      

    • The rote of collective administration in new business models in the audiovisual sector

      Brigitte Lindner

      págs. 419-424

      

  • Participation of creators and performers

    • Participation of creators and performers: introduction

      Axel Metzger

      págs. 425-426

      

    • Libres propos sur le role du createur dans l'evolution du Droit -Pour un droit des createurs

      Franck Macrez

      págs. 427-434

      

    • Current discussions in Brussels

      María Martín-Prat

      págs. 435-437

      

    • A view from the musical field

      Eddie Schwartz

      págs. 438-440

      

    • Will authors cease to exist? Frightening developments for writers

      Maureen Duffy

      págs. 441-442