págs. 8-19
The Representation of Genoa in a Monarchyof Urban Republics: between the Integration of Private Genoeseand the Limits of the Model of Full Sovereignty
págs. 20-33
‘Camera et civitas nostra imperialis’: The Republic of Genoa in the Imperial Perspective
págs. 34-45
The Gift of Concord and Freedom: Images of Andrea Doria in Late Sixteenth Century Art
págs. 48-63
Perspectives on a Republic: The Genoese crisis of 1575 in Italian avvisi
págs. 64-75
Contending Republicanisms: Pamphlets, Liberty, and Political Uses of the Past in Genoa, Venice, and Romeat the Time of the Interdict (1606-07
págs. 76-88
‘Versci, morte dro tempo': Civil Commitmentand Celebratory Rhetoric in Genoese Literaturein the Sixteenth and Seventeenth Centuries
págs. 89-95
Personifications of the Republic in Genoa: Before and After Cesare Ripa’s Iconologia
págs. 98-113
Continuity and Renewal of the City Image: The Enhancement and Strengthening of Public Architecture and Infrastructure as an Instrument for Political Communication
págs. 114-123
A ‘Royal Republic’: The Virgin Mary as ‘Queen of Genoa’ in 1637
págs. 124-131
‘Vera pace godeste in mezzo all’armi’: The Commitment of Theatre and Literature in the Latter Half of the Seventeenth Century
págs. 132-139
‘I più savij politichi di tutte le nazioni del mondo’: The Political Use of the Dutch Model in Seventeenth-Century Genoa
págs. 140-147
‘Nelle varietà proprie della Città nostra’: Giovan Francesco Spinola’s Instruttione famigliare between Genoese Identity and the Renaissance Pedagogical Tradition
págs. 150-159
Neutrality in Question: Genoa, the Embassy of Spain, and the Consequences of 1684
págs. 160-167
Touring ‘the Peru of Italy’: The Bank of Saint George and the Endurance of the Genoese Republic in the English, French, and German Press, 1684
págs. 168-175
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