Music and the Identity Process: The National Church of Rome and their Networks in the Early Modern Period
Información General
- Autores: Michela Berti (coord.), Émilie Corswarem (coord.), Jorge Morales (col.)
- Editores: Brepols Publishers NV
- Año de publicación: 2019
- País: Bélgica
- Idioma: inglés
- ISBN: 9782503588384
- Texto completo no disponible (Saber más ...)
Otros catálogos
- Citas a capítulos: 3 Citas
Listado de artículos
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págs. 11-12
Music and the identity process: the National Churches in Rome and their network in the Early Modern Period
págs. 13-31
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I. The Musical Model of National Churches in Rome
Cappella fissa—Cappella mobile: the Organisation of Musicians for Major Feastdays at Rome’s National Churches
págs. 35-53
A Close Look at S. Antonio dei Portoghesi and Roman Life: The Testimony of Father Manuel de Campos
págs. 55-61
págs. 63-88
A New Organ for the Anima: The Notarial Contract of 1546 and the History of the “German National Church” in Rome in the Middle of the Sixteenth Century
págs. 91-102
págs. 105-110
págs. 113-115
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II. Music and the Identity Process
Identity Affirmation and Roman Conformity: the Festive Calendars of the National Churches
págs. 119-149
págs. 151-159
S.Luigi dei Francesi in the Seventeenth Century: a Laboratory for Music, Liturgy and Identity
págs. 161-192
págs. 195-205
págs. 207-211
The musical collection of San Luigi dei Francesi: on the trail of national character
págs. 213-220
To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c. 1700
págs. 223-253
págs. 255-256
págs. 259-276
Musical Practices and Identity: The Story of the Roman Sojourn (1623—27) of Maurice of Savoy, Crown-Cardinal of France
págs. 279-293
Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Trémoille (1683—1686)
págs. 295-303
Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Music for the Glory of the King
págs. 305-328
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III. National Churches : Network in Rome and Cultural Transfer
págs. 331-344
Foreign Musicians and Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches
págs. 347-356
Oratorio Musical Traditions in Rome: Portuguese connections
págs. 359-362
The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldburg in Rome
págs. 365-387
Portuguese Young Musicians under Royal Patronage in Rome and their Relations with the National Church: some Pieces of the Puzzle
págs. 389-394
págs. 397-403
