Economic Imperatives for Women's Writing in Early Modern Europe delves into the early modern history of women's authorship and literary production in Europe taking a material turn. The case studies included in the volume represent women writers from various European countries and comparatively reflect the nuances of their participation in a burgeoning commercial market for authors while profiting as much from patronage. From self-representation as professional writers to literary reception, the challenges of reputation, financial hardships, and relationships with editors and colleagues, the essays in this collection show from different theoretical standpoints and linguistic areas that gender biases played a far less limiting role in women's literary writing than is commonly assumed, while they determined the relationship between moneymaking, self-representation, and publishing strategies.
Introduction: Women, Professionalisation,and Patronage
págs. 1-15
Women Authors’ Reputation and Its Relationship to Money Earned: Some early french writers as examples
págs. 16-39
Words for Sale: Early Modern Spanish Women’s Literary Economy
págs. 40-72
Fighting for Her Profession: Dorothe Engelbretsdatter’s Discourse of Self-Defence
págs. 73-96
págs. 97-123
Possibilities of Patronage: The Dutch Poet Elisabeth Hoofman and Her German Patrons
págs. 124-146
Between Patronage and Professional Writing. The Situation of Eighteenth Century Women of Letters in Venice: The Example of Luisa Bergalli Gozzi
págs. 147-166
From Queen’s Librarian to Voice of the Neapolitan Republic: Eleonora de Fonseca Pimentel
págs. 167-191
“[S]ome employment in the translating Way”: Economic Imperatives in Charlotte Lennox’s Career as a Translator
págs. 192-220
págs. 221-256
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