págs. 11-24
The emigrant as symptom: the representation of the American emigration in Basque literature
págs. 25-35
Basque identity, Otherness and narcissitic enjoymenht in Rossetti's Obsession by Ramon Saizarbitoria
págs. 36-43
págs. 44-54
págs. 55-67
págs. 68-77
In Search of the Novo Cinema Galego (New Galician Cinema): history, narration(s), identity and models of representation
págs. 80-98
págs. 99-109
Literary and cinematographic parallels in the representation of women in the 1970s, during the Spanish and Portuguese dictatorships: the will for absolute love in Cartas de amor de una monja portuguesa by Grau & Arquer (1978)
págs. 110-119
Pere Gimferrer and Cinema: between Hollywood and Iberian Avant-Garde
págs. 120-129
Impossible sutures: Loss, mourning, and the uses of Catalonia's immigrant past in TV3's La Mari
págs. 132-155
págs. 156-165
The funny others on our screens: Stereotype, self-loathing and resistance in the audiovisual representation of Wales and Galicia
págs. 166-181
The importance of being Basque: the aesthetic construction of Non-Basque identity
págs. 182-197
Portuguese Modernism on stage: on the periphery of Modernist canon
págs. 198-208
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