Woke Gal Gone Bad: Populism and Gender Trouble in Wrong Turn (2021)
págs. 11-31
págs. 33-54
The Culture That “Can’t Anymore”: Ari Aster’s Midsommar (2019) as Pilgrimage of a Traumatized Society
págs. 55-76
Mother! Nature: Creation, Apocalypse, Climate Skepticism, and Darren Aronofsky’s Mother! (2017)
págs. 79-95
Monsters, Women, and Magic: Intersecting Hierarchies of Gender and Religion in The Witch (2015)
págs. 97-114
Decay and Fear: Take Shelter (2011) as Social Horror
págs. 115-134
Antebellum (2020): White Supremacist Masculinities and Black Lives Matters in the Trump Era
págs. 137-159
Gaslighting, Captivity, and Trauma: Notes on MeToo Horror Films
págs. 161-182
From the Female Grotesque to the Crone: Beware of the Older Woman in The Taking of Deborah Logan (2014)
págs. 183-203
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