'What country, friends, is this?': The Performance of Conflict in Shakespeare's Drama of Migration
págs. 24-39
Killing by the Book: Scenes from the Duel Ritual
págs. 40-54
págs. 55-67
págs. 68-78
págs. 79-91
Translating Shakespeare in Sociolinguistic Conflicts: A Preliminary European Study
págs. 103-108
págs. 119-131
Negotiating the Memory of the 'People's War': Hamlet and the Ghosts of Welfare in A Diary for Timothy by Humphrey Jennings (1944-45)
Alessandra Marzola
págs. 132-144
'IN THE FEARFUL ARMOUR': Shakespeare, Heiner Müller and the Wall
págs. 145-156
From Individual Conflict To Interlocking Conflicts: Performing The Merchant of Venice for New European Audiences
págs. 157-169
Cut'n'mix King Lear: Second Generation and Asian-British Identities
págs. 170-183
Work of National Importance: Shakespeare in Dartmoor
págs. 193-208
'The play's the thing': Hamlet in a Romanian Wartime Political Prison
págs. 209-221
'A tongue in every wound of Caesar': Performing Julius Caesar behind Barbed Wire during the Second World War
págs. 222-236
'And, by opposing, end them': The Rhetoric Of Translators' Polemics
págs. 237-249
págs. 250-255
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