Información General

• Autores: Rudolf Rasch (coord.)
• Editores: Brepols
• Año de publicación: 2022
• País: Bélgica
• Idioma: español
• ISBN: 978-2-503-60080-2
• Texto completo no disponible (Saber más ...)

Resumen

• Music is not only an art (either as the art of composition or the art of performance) but also a subject for scientific investigation. Scientists have always been interested in musical sound, philosophers in the impact of music on the human mind, and musicians may have been puzzled by the scientific foundations of their art. This book collects fourteen studies by authors from various countries about the interrelations between music and science as apparent in the long century from the lifetime of Leonardo da Vinci (1452-1519) to that of Galileo Galilei (1564-1642), a period termed Renaissance, Early Modern or the time of the (first) Scientific Revolution depending on the angle from which this period is approached. It is a time when the Aristotelian physics was replaced by modern pre-Newtonian physics, when Catholicism was challenged by the Reformation, when traditional polyphonic musical styles were supplemented by new monodic styles, vocal and instrumental. Both Leonardo and Galileo had vivid interests in music, but they were not the only ones. The ideas of scientists and philosophers, such as Marin Mersenne, Rene Descartes, Giordano Bruno and Philipp Melanchton are also discussed.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • The (long) sixteenth century Music

    • "Latet discordantia quartae": an early natural-scientifoc explanation of upper-voice foruths by Franchinus Gaffurius

      David Cohen

      págs. 3-22

      

  • The (long) sixteenth century Science

    • Teoria musicale e patronage nobiliare a Venezia nel Cinquecento

      Paolo Alberto Rismondo

      págs. 23-48

      

    • Nascent mechanism in Philip Melanchthon's references to Josquin des Prez

      Alexander Jakobidze Gitman

      págs. 49-72

      

    • "Intra quaternarii limites musicam intelligunt omnem consonantiam": La musica nel pensiero di Giordano Bruno

      Carlo Bosi

      págs. 73-88

      

    • Dissezioni anatomiche con musica a Padova nella prima età moderna

      Gioia Filocamo

      págs. 89-114

      

  • The (long) seventeenth century Music

    • Galileo and opera: music, science, religion and politics in the seventeenth century

      Daniel Martín Sáez

      págs. 115-154

      

    • "La grandezza del numero sonoro": canonic techniques, combinatorics , and early scientific thought in seventeen century Rome

      Jason Stoessel, denis Collins

      págs. 155-186

      

    • Giovanni Battista Doni on the Tonal Space pf Chromatic Musis: the case of Gesualdo's Tu m'uccidi, o crudele

      Carlos C. Iafelice

      págs. 187-210

      

    • Me veux-tu voir mourir: Joan Albert Ban versus Antoine Boësset

      Rudolf Rasch

      págs. 211-250

      

    • La Missa La Luna piena (1657-1658) di Giuseppe Corsi e le teorie galileiane

      Galliano Ciliberti

      págs. 251-276

      

  • The (long) seventeenth century Science

    • René Descartes And Isaac Becckmann: the philosopher and the schoolmaster

      Rudolf Rasch

      págs. 277-304

      

    • The trumpet as nature's voice: Marin Mersenne and the nature of music

      Leendert Der Miesen

      págs. 305-334

      

    • Joachim Jungius and the question of music as an experimented "mixed scene"

      Roberta Vidic

      págs. 335-360

      

    • Trajectories of musical acoustics in seventeenth century french theory and experiment: sound, noise, and the authorities of the past

      Théodora Psychoyou

      págs. 361-376

      

    • The acoustical paradox: how music was unmoored ans set adrift from sciences in the seventeenth century

      Adam Fix

      págs. 377-420