The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice.
This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world.
The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.
págs. 1-8
págs. 11-22
"Lands of Chemical Death": Toxic Survivance in Bunky Echo-Hawk's Gas Masks as Medicine and Misha's Red Spider White Web
págs. 23-34
Water, Fire, Earth: Darcie Little Badger's "Ku Ko Né A" Series
págs. 35-44
págs. 45-54
Wayfinding Pasifikafuturism: An Indigenous Science Fiction Vision of the Ocean in Space
págs. 55-65
págs. 66-76
págs. 77-86
págs. 87-99
Blackfella Futurism: Speculative Fiction Grounded in Grassroots Sovereignity Politics
págs. 100-110
Anthologizing the Indigenous Environmental Imaginary: Moonshot Volume 3 and Ecocritical Futurisms
págs. 111-121
págs. 122-132
Russell Bates (Kiowa): Eco-SF and Indigenous Futurisms
págs. 133-141
págs. 142-152
Coding Potawatomi Cosmologics: Elements of Bodwewadmi Futurisms
págs. 153-161
(Re)writing and (Re)beading: Understanding Indigenous Women's Roles in the Creation of Indigenous Futurisms
págs. 162-175
"Okinawa Q" (an Uchinanchu Futurism): Okinawans Rectify the Japanese Unbalanced View of Nature Through Tokusatsu Television and Film
págs. 176-185
Catherine S. Ramirez
págs. 189-200
págs. 201-210
págs. 211-221
Conjurando poderes de existencia: Depictions of Sabidurias in the Latin American Speculative Fiction Series Siempre Bruja
págs. 222-232
Utopic Rage: Transforming the Future Through Narrative of Black Feminine Monstrosity and Rage
págs. 233-242
Grounding the Future: Locating Senior's "Grung" Poetics in Tobias Buckell's Speculative Fiction
págs. 243-253
págs. 254-264
Alejandro Morales's The Rag Doll Plagues: Chican@/Latinx Futurism-Between Intra-History and Utopia
págs. 265-275
págs. 276-285
Afrofuturism, Amazofuturism, Indigenous Futurism, and Sertaopunk in Brazilian Sciente Fiction: An Overview
págs. 286-295
Chicanx Futurist Performances: Guillermo Gómez-Peña and the La Pocha Nostra Territorial Cartographies
págs. 296-307
Crossing Merfolk: Memaids and the Middle Passage in African Diasporic Culture
págs. 308-318
págs. 319-329
págs. 330-336
págs. 337-339
págs. 340-341
págs. 345-355
págs. 356-367
"In the Future, No One Is Completely Human": Posthuman Poetics in Sun Yung Shin's Unbearable Splendor and Franny Choi's Soft Scence
págs. 368-378
The New Gods: Merging the Ancient and the Contemporary of Egypt
págs. 379-397
For Different Tomorrows: Speculative Analogy, Korean Futurisms, and Yoon Ha Lee's "Ghostweight"
págs. 398-409
Speculating Robot in the Indian Technoculture: Claiming the Future through Select Indian Science Fiction Films
págs. 410-420
Invasion, Takeover, and Dissappearance: Post-Cold War Fear in Hong Kong SAR Sci-Fi Film
págs. 421-429
Confucius No Say: Sino-Fi Web Fiction, Film, and Period Drama
págs. 430-440
From Sexual Desire to Personal Freedom: Women and Their Rights in Chen Qiufan's "G Stands for Goddess"
págs. 441-450
The Antekaal Awakens: Rendezvous with Rama (Raiya) and the Golden Past in India's Anglophone Science Fiction
págs. 451-461
"Restart the Play": On Cyclicality and the "Indian Woman" in the Theatrical Future of C. Sharp C Blunt
págs. 462-468
Speculative Hong Kong: Silky Potentials of a Living Science Fiction
págs. 469-484
págs. 485-495
Waste Time: Bodily Fluids and Afrofuturity
págs. 499-510
págs. 511-520
Transformative Cyborgs: Unsettling Humanity in Nnedi Okorafor's Binti, The Book of Phoenix, and Lagoon
págs. 521-531
págs. 532-541
págs. 542-554
"They Say I'm Hopeless": Jane McKeene Talks Back as Black Girls Do-Interlocking Oppressions and Justina Ireland's Dread Nation
págs. 555-564
"The Strength of No Separation": A Poethics of Inseparability After the End of the World
págs. 565-574
págs. 575-585
"But I'm Right Here": The curious Case of Killmonger and the Failures of Utopian Desire in Marvel's Black Panther
págs. 586-595
Coming Together, "Free, Whole, Decolonized": Reading Black Feminisms in Tochi Onyebuchi's Riot Baby
págs. 596-605
Engaging Second-Person Present: Metafiction and Stereotypes in Violet Allen's "The Venus Effect"
págs. 606-615
"Can You Feel It": Michael Jackson, Afrofuturism, and Building the Jacksonverse
págs. 616-626
págs. 627-636
The Middle Passage to the Anthropocene: Eco-Humanist Futures in Black Women's Poetry
págs. 637-647
© 2001-2024 Fundación Dialnet · Todos los derechos reservados