Ha sido reseñado en:
Paula Rustarazo Garzón (res.)
Nexus, ISSN-e 1697-4646, Nº. 1, 2023, págs. 104-106
The working hypothesis of the book is that, since the 1990s, an increasing number of Anglophone fictions are responding to the new ethical and political demands arising out of the facts of war, exclusion, climate change, contagion, posthumanism and other central issues of our post-trauma age by adapting the conventions of traditional forms of expressing grievability, such as elegy, testimony or (pseudo-)autobiography. Situating themselves in the wake of Judith Butler’s work on (un-)grievablability, the essays collected in this volume seek to cast new light on these issues by delving into the socio-cultural constructions of grievability and other types of vulnerabilities, invisibilities and inaudibilities linked with the neglect and/or abuse of non-normative individuals and submerged groups that have been framed as disposable, exploitable and/or unmournable by such determinant factors as sex, gender, ethnic origin, health, etc., thereby refining and displacing the category of subalternity associated with the poetics of postmodernism.
págs. 1-11
Trading Relations, the Evil of violence and the Ungrievability of the Other in David Mitchell's: The One Thousand Autumms of Jacob de Zoet
págs. 15-35
págs. 36-54
Escaping “Dead Time”l: The Temporal Ethics of (Un-)Grievability in Ali Smith's The Accidental
págs. 55-71
“How bold to mix the dreamings”:: The Ethics and Poetics of Mourning in Alexis Wright'sThe Swan Book
págs. 75-95
From Elegy to Apocalypse:: Ecological Grief and Human Grievability in Ben Smith's Doggerland
págs. 96-115
Ungrievable Incest:: Ecology and Kinship in Michael Stewart's Ill Will
págs. 119-134
págs. 135-150
págs. 153-168
págs. 169-183
págs. 187-201
págs. 202-216
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