Información General

• Autores: Susana Onega Jaén (coord.), María Benita Nadal Blasco (coord.), María Jesús Martínez Alfaro (coord.), Silvia Pellicer Ortín (coord.)
• Editores: Universidad de Zaragoza, Prensas de la Universidad de Zaragoza
• Año de publicación: 2021
• Colecciones: Fuera de colección
• País: España
• Idioma: inglés
• ISBN: 978-84-1340-410-3
• Texto completo no disponible (Saber más ...)

Resumen

• The present volume is a homage to Professor Susana Onega, an outstanding teacher and researcher and a dear friend and colleague to many of the participants. Onega’s achievements in the fi eld of literary criticism, recognized with the Miguel Servet Award for Research Excellence, constitute a fascinating journey through contemporary literature. The contributors to the volume participate with chapters variously related to Onega’s work, each exploring issues that are crucial to the understanding of contemporary narratives in English. We have looked at time present and time past, and so many wanted to show their respect and gratitude to Professor Onega. This is just a sample, but one that constitutes, also, a remarkable collection of essays by highly respected scholars in their fi elds of research.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction to the spanish translation of Brian Mccabe's the Other Mccoy

    Jessica Aliaga Lavrijsen

    págs. 26-32

    

  • The ethics of fiction in contemporary narrative in english: introduction

    Bárbara Arizti Martín, Silvia Martínez Falquina

    págs. 65-72

    

  • 9/11 and the psychic trauma novel: Don Delillo's falling man (2007)

    Sonia Baelo Allué

    págs. 73-88

    

  • A feminine subject in postmodernist chaos: Jeanette Winterson's lesbian manifesto in "Oranges are not the only fruit"

    Mónica Calvo Pascual

    págs. 121-135

    

  • The profane becomes sacred: escaping eclecticism in Doctorow's City of God

    Francisco Collado Rodríguez

    págs. 149-164

    

  • Flann O'Brien's at "Swim-two-birds": an elitist carnival?

    Constanza del Río Alvaro

    págs. 181-191

    

  • Looking from the Border: a cosmopolitan approach to contemporary cinema

    Celestino Deleyto Alcalá

    págs. 193-208

    

  • "There's that curtain come down": the burden of shame in Sarah Water's The Night Watch

    María Teresa Escudero Alías

    págs. 209-224

    

  • The collusion of feminist and postmodernist impulses in E.L. Doctorow's Ragtime

    María Ferrández San Miguel

    págs. 225-240

    

  • Desert hearts (1985): out of compulsory heterosexuality, into the well of loneliness/out of the well of loneliness, into the lesbian self

    María Dolores Herrero Granado

    págs. 271-285

    

  • Astarte's game: variations in John Fowles's "the enigma"

    María Jesús Martínez Alfaro

    págs. 347-361

    

  • William Golding: a backward glance

    María Benita Nadal Blasco

    págs. 363-374

    

  • The complex web of othernesses in Marcus Gardeley's play "The road weeps, the well runs dry"

    Claus-Peter Neuman

    págs. 375-386

    

  • Introduction to Eva Figes' writings: a journey through trauma

    Silvia Pellicer Ortín

    págs. 387-398

    

  • From the cognitive to the pragmatic: the scientist as communicator

    Carmen Pérez-Llantada Auría

    págs. 399-411

    

  • Towards the fifth province: Brian Friel's translations of stereotypes

    María del Pilar Royo Grasa

    págs. 413-427

    

  • The (extra)ordinary of humbleness and mutual recognition in Colm Tóibín's "The Textament of Mary"

    José María Yebra Pertusa

    págs. 429-443