The Federal Theatre Project (FTP) is a singular adventure in the history of American theater, unprecedented at the time and never repeated at such. Headed during its four years of existence, from 1935 to 1939, by the author, playwright and director Hallie Flanagan, it is part of the program set by the Roosevelt administration as part of the New Deal, within the Work Progress Administration (WPA) directed by Harry Hopkins. Federal Theatre Project (1935-1939): Context and Issues is the first French volume on this essential period in the history of American theater. By combining cross-disciplinary approaches and case studies, this volume, which brings together contributions from researchers and artists, aims to shed light on the blind spots and forgotten figures of this period of American theatrical history, considering that these omissions themselves tell us something about the historiography of this period and, in turn, about the contemporary views we can take on it. The book is resolutely transdisciplinary, as was the FTP, with articles on theater itself, but also on music and film.
Avant-propos. Féderal Theatre Project (1935-1939): contexte et enjeux
págs. 5-13
págs. 17-37
The Federal Theatre of the 1930s: An experiment in the democratization of culture
págs. 39-77
Federal Theatre Project in Cincinnati, Ohio: A case study in Local Relevance
págs. 81-110
págs. 111-140
Orson Welles et ses compositeurs: une cohésion sociale et politique autant qu'artistique
págs. 141-165
The First Federal Summer Theatre: Training Ground for “a New, Imaginative Theatre”
págs. 167-196
The Promise of It Can’t Happen Here: Performance of History in Times of Crisis
págs. 197-224
"A gesture of hope:" Living newspaper: A Counter-Narrative at the Royal Court Theatre (an Interview with Artistic Director Vicky Featherstone)
págs. 227-242
"As American as Walt Disney”: The Political Theater of the Federal Theatre Project
págs. 243-264
The Limits of Technology: Actors, Networks, the Federal Theatre Project,and Power
págs. 265-296
"The Provincetown Players and the Federal Theatre: The Essay Susan Glaspell Never Wrote"
págs. 299-326
págs. 327-346
págs. 347-379
págs. 381-410
Finding Hallie: An Interview with Mattie Brickman
págs. 411-417
págs. 418-423
© 2001-2026 Fundación Dialnet · Todos los derechos reservados