Información General

• Autores: Kelley Helmstutler Di Dio (ed. lit.), Tommaso Mozzati (ed. lit.)
• Editores: Taylor & Francis, Routledge/Taylor & Francis Group
• Año de publicación: 2020
• Colecciones: Visual culture in early modernity
• País: Reino Unido
• Idioma: inglés
• ISBN: 9781138605817
• Texto completo no disponible (Saber más ...)

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction: Spanish Italy/Italian Spain

    Kelley Helmstutler Di Dio, Tommaso Mozzati

    págs. 1-20

    

  • Domenico Fancelli and the Tomb of the Catholic Kings: Carrara, Italian Wars and the Spanish Renaissance

    Michela Zurla

    págs. 21-37

    

  • The Tomb of Bishop Alonso de Madrigal (“El Tostado”) in theCathedral of Ávila—The Monumentalization of the “Autorbild”

    Johannes Röll

    págs. 38-55

    

  • Architecture of the Retablo between Spain and Italy: On the Work of Jacopo L’Indaco, Alonso Berruguete and Diego de Siloé (1520–1530)

    Carlos Plaza Morillo

    págs. 56-77

    

  • An Italian Fountain for the Emperor: The Fuente del Águila (1539)

    María José Redondo Cantera

    págs. 78-99

    

  • Michelangelo Re-read: A Note on the Reception of His Pictorial Language in Spanish Sculpture of the Second Half of the Sixteenth Century

    Manuel Arias Martínez

    págs. 100-108

    

  • Circulation of Sculpture Across the Spanish Empire: The Case of Martino Regio’s Genoese Workshop and the Multiple Variations of His Name

    Fernando Loffredo

    págs. 109-130

    

  • Ribera’s Northern Italian Nexus

    Lisandra Estevez

    págs. 131-151

    

  • Courtiers, Fables and Dictionaries: Italian Books in the Collections of Velázquez, Carducho and Guerra Coronel

    Marta Cacho Casal

    págs. 152-172

    

  • Guido Reni’s Influence in Seville Through Originals, Copiesand Prints

    Rafael Japón

    págs. 173-191

    

  • Some Spanish Paintings in Florentine Collections: The Legacy of the Iberian Journey of Cosimo III de’ Medici

    Miguel Taín Guzmán

    págs. 192-206