págs. 11-22
A psycho-biological approach to suspense and horror: triggers of emotion in a pasage from Lewis´s "The Monk"
págs. 25-43
Repeated pleasure: reading the threesome ménage romance as digital literature
págs. 45-61
págs. 63-76
Refiguring reader-response: experience and interpretation in J.G. Ballard´s "Crash"
págs. 77-95
Lives and death of Gatsby: a semantic reading of a key passage in a powerful text
págs. 99-110
Introducing Jane: the power of the opening
págs. 111-127
Performing rhythm through enunciation: prose versus poetry
págs. 129-144
The pictorial paradigm of La Vallée: a text-image reading of the incipit of "The mysteries of Udolpho"
págs. 145-163
págs. 167-187
The relevance of turning a page: monotony and complexity in [section] 25 of Davis Foster Wallace's "The pale king"
págs. 189-205
págs. 207-229
'Smuggling in accidental poetry': cognitive and stylistic strategies of stammerint teen in David Mitchell's "Black swan green"
págs. 231-248
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