Romanesque Patrons and Processes: Design and Instrumentality in the Art and Architecture of Romanesque Europe
Información General
- Autores: Jordi Camps Linnell (coord.), Manuel Antonio Castiñeiras González (coord.), John McNeill (coord.), Richard Plant (coord.)
- Editores: Taylor & Francis, Routledge, Taylor & Francis Group
- Año de publicación: 2018
- País: Reino Unido
- Idioma: inglés
- ISBN: 9781351105606
- Texto completo no disponible (Saber más ...)
Resumen
The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality.
No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.
Otros catálogos
- Citas a capítulos: 10 Citas
Listado de artículos
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págs. 1-13
págs. 15-29
Romanesque Cathedrals in Northern Italy: building processes between bishop and commune
págs. 31-38
Episcopal patronage in the reform of Catalan Cathedral canonries during the first Romanesque period: A new approach
págs. 39-46
págs. 47-62
From Peláez to Gelmírez: The problem of art patronage at the Romanesque Cathedral of Santiago de Compostela
págs. 63-72
págs. 73-82
The Armenian Cathedral of Saints James in Jerusalem: Melisende and the question of exchange between East And West
págs. 83-92
Grandmont and the English Kings: An example of patronage in the context of an ascetic architectural trend
págs. 93-108
págs. 109-116
págs. 117-141
págs. 143-158
The artistic patronage of Abbot Gregorius at Cuixà: Models and tributes 1
págs. 159-174
págs. 175-181
The Jaca ivories: Towards a revaluation of eleventh-century female artistic patronage in the Kingdom of Aragon
págs. 183-193
págs. 195-204
Patronage at the Cathedral of Tarragona: Cult and residential space 1
págs. 205-218
An Anglo-Norman at Terrassa?: Augustinian Canons and Thomas Becket at the end of the twelfth century
págs. 219-233
págs. 235-250
Patron and liturgy: The liturgical setting of the Cathedral Church of San Martino in Lucca after 1070 and the Gregorian Reform
págs. 251-257
págs. 259-277
págs. 279-289
págs. 291-312
págs. 313-325
The death of the patron: Agency, style and the making of the Liber Feudorum Maior of Barcelona
págs. 327-336
