The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of New Galdós Studies, offered in memory of John Varey, author of Galdós Studies, the foundational text for contemporary Galdosian scholarship. Eamonn Rodgers describes Galdós's early readership and reception; James Whiston illustrates Galdós's creativity in Lo prohibido; Rhian Davies explores the enrichment of the novelist's language in Torquemada en la Cruz; Teresa Fuentes Peris demonstrates Galdós's radical critique of dominant social assumptions in Fortunata y Jacinta; Alex Longhurst deals with the representation of poverty in Misericordia while Lisa Condé detects a feminist intention in Tristana; Eric Southworth finds rich cultural and spiritual allusion in the same work; Nichols Round relates the deaths of children in the Torquemada novels and Angel Guerra to end-of-century ideological concerns.
Who read Galdós?: The economics of the book trade in nineteenth-century Spain
págs. 11-26
Change and creativity in Galdós´s writing: the first draft of the Lo prohibido manuscript
págs. 27-42
The manuscript of Torquemada en la cruz: a stage in a creative process
págs. 43-58
Images of filth: representation of the poor in ´Una visita al cuarto estado´
págs. 59-72
págs. 73-98
págs. 99-110
Love, art, and religion in the Galdós of the early 1890s: the case of Tristana
págs. 111-124
Galdós rewrites Galdós: the deaths of children and the dying century
págs. 125-140
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