Ha sido reseñado en:
Jorge García Cardiel (res.)
Gerión, ISSN 0213-0181, Vol. 41, Nº 2, 2023, págs. 707-710
The fourteen chapters of this e-book examine Roman dance by looking at its role in Roman religion, by following it into the theatre and the banquet hall, and by tracing its (metaphorical) presence in a variety of literary contexts, including rhetorical treatises, biography, and lyric poetry. These different approaches, which draw on literary texts, inscriptions, documentary papyri, the visual record, and modern reperformances, converge in illustrating a rich and vibrant dance culture which prided itself on indigenous dances no less than on its capacity to absorb, transform, or revive the dance traditions of their Etruscan or Greek neighbours. Dance was a cultural practice which was able to affirm Romanness, for instance in the case of the Salian priests, but also to raise the question of what was Roman in the first place, for instance when the originally Greek pantomime was embraced by Augustus and came to be known as "Italian style of dancing". Together the fourteen case studies offer fresh perspectives on an underexplored topic, shedding light on the manifold contexts, functions, practitioners, and appreciations of Roman dance
págs. 9-34
Between Magna Graecia and Rome: towards an archaeological approach to dance performance in cults
págs. 37-63
Trois pas vers les dieux: le tripudium entre danse et divination
págs. 65-84
págs. 85-100
"Tänze, die keine Tänze waren": widersprüchliches über den Tanz bei Philon von Alexandrien
págs. 101-115
"Making the god present within himself ": pantomime dance and devotion in fourth-century antioch
págs. 117-134
Envisioning and reenacting the chorus in republican tragedy: the cases of Naevius’ Lycurgus and Ennius’ Eumenides
págs. 137-158
págs. 159-178
págs. 179-202
Toute peine mérite salaire: l’orchēstopalaistodidaktos Stephanos (P Daris 7)
págs. 203-227
págs. 229-246
págs. 247-265
págs. 269-284
Der dichter als Tänzer und körperperformer: Die kinetik des dichtens bei Horaz
págs. 285-306
Roman rhythms: music, dance, and imperial ethics in suetonius’ life of Augustus
págs. 307-325
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