Información General

• Autores: Frederick A. de Armas
• Editores: Bucknell University Press
• Año de publicación: 2004
• País: Estados Unidos
• Idioma: inglés
• ISBN: 0-8387-5571-2
• Texto completo no disponible (Saber más ...)

Resumen

• This book offers a vision of possibilities to those who wish to study the intricate relations between the verbal and the visual during the Spanish Golden Age. Writing, during the early modern period, often had a strongly visual component. Poets and other writers of fiction appealed to this sense in particular since it was thought that visualization was key to memory. Furthermore, the sisterhood and competition between painting and poetry had an ancient heritage, one that writers of the Golden Age often evoked and emulated. This collection of essays seeks to open up this complex interdisciplinary field by including essays on many aspects of visual writing in sixteenth- and seventeenth-century Spain.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • I - The Painter and the Writer Are One and the Same

    • (Mis) placing the Muse: Ekphrasis in Cervantes´ La Galatea

      Frederik A. de Armas

      págs. 23-41

      

    • The Pomegranate of Don Quixote 1.9

      Eric C. Graf

      págs. 42-62

      

    • The Quixote Art: Cervantes, Vasari, and Michelangelo

      Christopher B. Weimer

      págs. 63-84

      

  • II - Ut Pictura Poesis

    • Mirroring Desire in Early Modern Spanish Poetry: Some Lessons from Painting

      María Cristina Quintero

      págs. 85-108

      

    • Inscribing Transgression, Siting Identity: Arguijo´s Phaëton and Ganymede in Painting and Text

      Mary E. Barnard

      págs. 109-129

      

    • Writing on the Fractured "I": Góngoras´s Iconographic Evocations of Vulcan, Venus, and Mars

      Steven Wagschal

      págs. 130-150

      

    • Optics and Vocabularies of the Visual in Luis de Góngora and Sor Juana Inés de la Cruz

      Emilie Bergmann

      págs. 151-166

      

  • III - Painting the Feminine

    • Lope de Vega and Titian: The Goddess as Emblem of Sacred and Profane Love

      Timothy Ambrose

      págs. 167-184

      

    • To Possess Her in Paint: (Pro) creative Failure and Crisis in El Pintor de su deshonra

      Laura R. Bass

      págs. 185-211

      

    • Visual and Oral Art (ifice) in María de Zaya´s: Desengaños amorosos

      Lisa Voigt

      págs. 212-234

      

  • IV - Visual Rhetoric

    • The Baroque at Play: Homiletic and Pedagogical Emblems in Francisco Garau and Other Spanish Golden Age Preachers

      John T. Cull

      págs. 235-256

      

    • Quevedo Resting on His Laurels: A (Topo) graphical Topos in El Parnasso español

      Julio Vélez Sainz

      págs. 257-278

      

    • Linguistic and Pictorial Conceits in the Baroque: Velázquez Between Quevedo and Gracián

      Lía Schwartz Lerner

      págs. 279-300