Información General

• Autores: Enrique Fernández (coord.)
• Editores: Brill
• Año de publicación: 2017
• Colecciones: The Renaissance Society of America. Text and Studies Series, 9
• País: Países Bajos
• Idioma: inglés
• ISBN: 978-90-04-34932-2, 978-90-04-34929-2
• Texto completo no disponible (Saber más ...)

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Preface

    Enrique Fernandez

    pág. 1

    

  • Introduction

    • The Significance of "Celestina"

      Joseph Thomas Snow

      págs. 3-17

      

  • Text, Origins and Sources

    • The Early Editions and the Authorship of "Celestina"

      José Luis Canet Vallés

      págs. 21-40

      

    • The Poetics of Voice, the Performance, and the Meaning of "Celestina"

      Gustavo Illades Aguiar

      págs. 41-57

      

    • Quotation, Plagiarism, Allusion, and Reminiscence: Intertextuality in "Celestina"

      Amaranta Saguar García

      págs. 58-73

      

    • Theater Without a Stage: "Celestina" and the Humanistic Comedy

      Devid Paolini

      págs. 74-93

      

    • "Celestina" in the Context of Fifteenth-Century Castilian Vernacular Humanism

      José Luis Gastañaga

      págs. 94-107

      

    • Minerva's Dog and Other Problematic Points in "Celestina's" Text

      Fernando Cantalapiedra Erostarbe

      págs. 108-123

      

    • Calisto and Leriano in Love

      Ivy A. Corfis

      págs. 124-140

      

    • The Story of Hero and Leander: A Possible Unknown Source of "Celestina"

      Bienvenido Morros Mestres

      págs. 141-158

      

  • Themes and Readings

    • "Aquellos antigos libros": Approaches to Parody in "Celestina"

      Ryan D. Giles

      págs. 161-172

      

    • Risky Business: The Politics of Prostitution in "Celestina"

      Enriqueta Zafra

      págs. 173-187

      

    • A Guidebook for Two Cities: The Physical and the Political Urban Space in "Celestina"

      Raúl Alvarez Moreno

      págs. 188-204

      

    • Magic in "Celestina"

      Patrizia Botta

      págs. 205-224

      

    • Lovesickness and the Problematical Text of "Celestina", Act 1

      Ricardo Castells

      págs. 225-241

      

    • Jesus and Mary, Christian Prayer, and the Saints in "Celestina"

      Manuel da Costa Fontes

      págs. 242-261

      

    • Eating, Drinking, and Consuming in the "Tragicomedia de Calisto y Melibea"

      Connie L. Scarborough

      págs. 262-272

      

  • Influence and Posterity

    • Modernity and "Celestina": The Future of Our Past and of Our Present

      Antonio Pérez-Romero

      págs. 275-291

      

    • "Celestina" as a Precursor to the Picaresque

      Ted L. L. Bergman

      págs. 292-304

      

    • Early Responses to "Celestina": Translations and Commentary

      Kathleen V. Kish

      págs. 305-320

      

    • "Celestina's" Continuations, Adaptations, and Influences

      Consolación Baranda Leturio

      págs. 321-338

      

    • "Celestina" and Agustín Arrieta's "China Poblana": Mexico's Female Icon Revisited

      Beatriz de Alba-Koch

      págs. 339-361

      

    • The Images of "Celestina" and Its Visual Culture

      Enrique Fernandez

      págs. 362-382

      

    • "Celestina" in Film and Television

      Yolanda Iglesias

      págs. 383-402