Información General

• Autores: K. Meira Goldberg (coord.), Antoni Pizà Prohens (coord.)
• Editores: Cambridge Scholars Publishing
• Año de publicación: 2022
• País: España
• Idioma: inglés
• ISBN: 978-1-5275-9664-1, 978-1-5275-7692-6
• Texto completo no disponible (Saber más ...)

Resumen

• This collection of essays poses a series of questions revolving around nonsense, cacophony, queerness, race, and the dancing body. How can flamenco, as a diasporic complex of performance and communities of practice frictionally and critically bound to the complexities of Spanish history, illuminate theories of race and identity in performance? How can we posit, and argue for, genealogical relationships within and between genres across the vast expanses of the African—and Roma—diaspora? Neither are the essays presented here limited to flamenco, nor, consequently, are the responses to these questions reduced to this topic. What all the contributions here do share is the wish to come together, across disciplines and subject areas, within the academy and without, in the whirling, raucous, and messy spaces where the body is free—to celebrate its questioning, as well as the depths of the wisdom and knowledge it holds and sometimes reveals.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • The Strength of Instability

    • 'This Little Wooden World': Choreo-navigating Maritime Dance

      Russell Patrick Brown

      págs. 2-33

      

    • Embodied Sounds: Musical Culture, Popular Agency, and the Corporeal Public Display of Political and Social Power in State-Sponsored Festivities of Nineteenth-Century Puerto Rico

      Noel Allende Goitía

      págs. 34-45

      

    • Radical Moves from the Margins: 'Enslaved Entertainments' and Harvest Celebrations in Northeastern Brazil

      Scott Alves Barton

      págs. 46-70

      

  • Queer Ideals

    • "La Muñeca Subersiva": (The Subversive Doll)

      Belén Maya García, K. Meira Goldberg (trad.)

      págs. 72-100

      

    • Queering the Tale of the Skirt: The Masculine Presence, Archival Histories, and Queer Future of the Bata de Cola

      Ryan Rockmore

      págs. 101-125

      

    • Niño de Elche, a Heterotopian (Flamencx) Voice

      Daniel Valtueña

      págs. 126-136

      

  • Key Transpositions

    • Troubling Paradises: The Changing Face of the Other in Medieval Representations of Celestial Dancing

      Karen Silen

      págs. 139-171

      

    • Music in the Spanish Renaissance Theater

      Antonio Cortijo Ocaña

      págs. 172-181

      

    • "Soleá": Conjuring the Feminine in Flamenco's "Cante Jondo"

      Constance Vallis Hill

      págs. 182-210

      

    • "Faux Amis": False Cognates in Flamencos Discourse within Ballet and Spanish Dance Contexts

      María Gabriela Estrada

      págs. 211-225

      

    • The Key of "Danzas de negros": On the Standard Tonalities of Black Dances in Early Modern Hispanic Music

      Guillermo Castro Buendía, K. Meira Goldberg (trad.)

      págs. 226-272

      

  • Outlaw Representations

    • Criminalized Identity: Exploring Potential Psychological Effects of Roma Stigmatization

      Cal Brisbin, Cristiana Grigore, Sarah Zawacki

      págs. 274-295

      

    • Dancing my Otherness/Multiplicity or "Sin Pedir Permiso, Me Agarro Aquí"

      Niurca E. Márquez

      págs. 296-313

      

    • Urban Memories and Rural Mirrors: Toward a History of Romani Performing Arts

      Miguel Ángel Vargas

      págs. 314-320

      

    • Flamenco "is" Gitano: Reflections on the Expression of Gitano Identityin the Flamenco Fiesta

      Clara Chinoy

      págs. 321-342

      

    • Reading the Jácara: Seventeenth-Century Steps and their Influencein Contemporary Spanish Dance

      Anna Shalom

      págs. 343-378

      

  • Black Roots

    • Interrogating the African Origins of Flamenco: An East African Perspective

      Agnes Nasozi Kamya

      págs. 380-397

      

    • Representing Others to Find Us in Antebellum U.S. Dance

      Lynn Matluck Brooks

      págs. 398-429

      

    • The New Flamenco School Show: Breaking Stereotypes and Planting eeds of Discourse on Race

      Julie Galle Baggenstoss

      págs. 430-437

      

    • A Counter-Hegemonic Portrait of Blackness: La Perla Negra, Between Rumba and Modern Dance (1913-1928)

      Francisco Javier Mora Contreras

      págs. 438-461