Classical Fakes and Forgeries: Wisdom from Nobody?
págs. 3-9
Logography Reconsidered: New Issues on Cooperative Authorship in Attic Oratory
págs. 13-27
págs. 29-42
págs. 43-64
“To sound like Plato”: Profiling the Seventh Letter
págs. 65-88
Onomakritos, Rhapsode: Composition-in-Performance and the Competition of Genres in 6th -century Athens
págs. 89-106
págs. 109-123
Spurious Manuscripts of Genuine Works: The Cases of Cicero and Virgil
págs. 125-138
Artistic Authority and the Impotency of Art: A Reading of Ausonius’ Third Preface
págs. 139-153
Ea vera clementia erit: The Epistulae ad Caesarem in 1st Century AD Public Discourse
págs. 155-172
Young Vergil’s Very First Poetic Exercises: Some Remarks on the Pseudo-Vergilian Liber Distichon (AL 250-257 Sh. B. = AL 256-263 R.)
págs. 173-184
Facts, Fakes or Fiction?: Considering Ancient Quotations
págs. 187-199
Historia and Fabula: Dares Phrygius between Truth and Fiction in the Twelfth Century
págs. 201-215
págs. 217-227
págs. 229-244
The Author-Translator: Progress or Problem? Augustinus on the Vetus Latina and Jerome’s Vulgata
págs. 245-261
Latin Inscriptions and the Eighteenth-Century Art Market
Caroline M. Barron
págs. 265-283
Fakes, Forgeries and Authenticity: The curious case of Flora
págs. 285-290
Phantom travels: On the Story of a Lycian Inscription
págs. 291-302
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