The New View from Cane River features ten in-depth essays that provide fresh, diverse perspectives on Kate Chopin’s first novel, At Fault. While much critical work on the author prioritizes her famous, groundbreaking second book, The Awakening, its 1890 predecessor remains a fascinating text that presents a complicated moral universe, including a plot that involves divorce, alcoholism, and murder set in the aftermath of the Civil War.
Absent Babies and Cosmopolitan Bananas: Fault Lines, Networks, and Modernity in At Fault
págs. 13-31
Reconciling the (Post)Plantation in At Fault: Reunion Romance, Western Expansionism, and the (Neo)Liberal Turn
págs. 32-63
"Miss T'rèse's System": At Fault and Antebellum Nostalgia
págs. 64-83
págs. 84-96
What Hosmer Wants: Male Aspirations in At Fault
págs. 97-114
Kate Chopin's Queer Etiologies: What's At Fault in the History of Sexuality
págs. 115-134
Quick, Dead, and Widowed: Failed Reading of "Unwholesome Intellectual Sweets" and the Importance of Knowing Whose Story You're In
págs. 135-155
Divorce and the New Woman: Precedents to Modernism in At Fault
págs. 156-174
Personified Matter: Empowered Things in At Fault
págs. 175-195
“Thérèse Was Love’s Prophet”: The Emotional Discourse and the Depiction of Feelings in At Fault
págs. 196-213
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