Visualizing Spanish modernity: introduction
págs. 1-23
Visibly modern Madrid: Mesonero, visual culture, and the apparatus of urban reform
págs. 24-45
Foresight, blindness, or illusion?: women and citizenship in the second series of Galdòs's Episodios nacionales
págs. 46-63
Horror, spectacle and nation-formation: historical painting in late-nineteenth-century Spain
págs. 64-80
págs. 81-93
Thresholds of visibility at the borders of Madrid: Benjamin, Gòmez de la Serna, Mesonero
págs. 94-111
Seeing the dead: manual and mechanical specters in modern Spain (1893-1939)
págs. 112-141
Santiago Rusiñol's Impresiones de arte in the age of tourism: seeing Andalusia after seeing Paris
págs. 142-162
págs. 163-177
From engraving to photo: cross-cut technologies in the Spanish illustrated press
págs. 178-206
Spain's image and regional dress: from everyday object to museum piece and tourist attraction
págs. 207-227
Observing the city, mediating the mountain: Mirador and the International Exposition of Barcelona
págs. 228-244
Joan Mirò, 1929: high and low culture in Barcelona and Paris
págs. 245-262
Stages of modernity: the uneasy symbiosis of the género chico and early cinema in Madrid
págs. 263-282
Visualizing the time-space of otherness: digression and distraction in Spanish silent film
págs. 283-300
págs. 301-328
págs. 329-348
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