págs. 27-40
The eye also reads: notes on the visual "keys" present in Bolaño's novels "Las detectives salvajes" and "2666"
págs. 41-53
A pause on the landing: contemporary perpetuations of "Tristram Shandy"
págs. 55-71
Silvestre Revueltas' visual music: the notation of agency, time, and space in post-revolutionary Mexico as lnspired by the European and Mexican avant-gardes
págs. 73-96
págs. 97-112
The catalogue as notation: museums and maps of museums
págs. 115-133
págs. 135-146
Carmen Barradas' "Plástica Musical": crossovers between notation and painting
págs. 147-162
págs. 163-184
págs. 187-202
Scripts and scores in contemporary literature: time, constraints and algorithms
págs. 203-216
págs. 217-231
Performative conversational notations: Critical choreographies & dialogical games
págs. 233-248
Time, performance and notation: Lloren, Barber and Felipe Ehrenbergreading out loud
págs. 251-266
págs. 267-292
Orality in popular prints: a voice palimpsest
págs. 293-310
Reading Manuscripts as Notation: an experiment into the possibilities of lnterpretation
págs. 313-332
The visuality of writing: technologies, reading and materialities
págs. 333-347
págs. 349-362
págs. 363-376
Along the margins: notations that kill the notated
págs. 377-397
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