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Bulletin of Spanish Studies, ISSN-e 1478-3428, ISSN 1475-3820, Vol. 99, Nº 2, 2022, págs. 363-365
In the early modern Iberian book world, as in the European book world more broadly, most works issuing from the presses contained some form of ornamentation. The nineteen contributions presented here cast light on these visual elements—on the production and ownership of printers’ materials, and on the frequency with which these materials were exchanged and shared. A third of all items printed in the early modern Iberian world carried no imprint at all; for these items, woodblocks and engravings can assist scholars seeking to identify their place of origin or their date of publication. As importantly, decoration and illustration in early print can also reveal much about the history of the graphic arts and evolving forms of cultural representation.
From Bibliography to Data Analytics, Convolutional Neural Networks and Image Recognition: The Journey of the Iberian Books Project
págs. 15-40
págs. 41-58
Illustrating and Publishing on the Hand-Press in Spain from the Fifteenth to the Eighteenth Century: The Ownership of Icono-Typographic Resources
págs. 61-86
págs. 87-99
págs. 100-125
págs. 126-145
The Typefaces of Three Fifteenth-Century Castilian Printers: A Comparative Study
págs. 149-167
Typography and Illustration in Fifteenth-Century Salamanca: the Porras Press
págs. 168-186
Chipped Old Blocks and Battered Old Type: Piracy in Golden-Age Spain
págs. 187-208
págs. 211-239
Book Illustration in the Late Fifteenth and Early Sixteenth Centuries: the First Editions of the Siete Sabios de Roma
págs. 240-258
págs. 259-283
págs. 284-314
Writ Large: Printing, Painting and Conversion in Sixteenth-Century America
págs. 315-349
págs. 350-371
págs. 372-406
págs. 407-445
págs. 446-478
págs. 479-495
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