Información General

• Autores: Moritz Baßler (coord.), Benedikt Hjartarson (coord.), Ursula Frohne (coord.), David Ayers (coord.), Sascha Bru (coord.)
• Editores: Mounton de Gruyter
• Año de publicación: 2020
• Colecciones: European Avant-Garde and Modernism Studies, 6
• País: Estados Unidos
• Idioma: inglés
• ISBN: 9783110637021
• Texto completo no disponible (Saber más ...)

Resumen

• The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction

    • Realism(s) of the Avant-Garde: An Introduction

      Moritz Baßler

      págs. 3-11

      

  • Modernist Realism?

    • Realismus – Avantgarde – Phantastik: Paul Scheerbarts Werk im Kontext von Verfahrensgeschichte und Intermedialität

      Jasmin Grande

      págs. 13-28

      

    • Mário de Andrade: Modernism, Realism, and New Stories

      Jobst Welge

      págs. 29-42

      

    • Scientistic Magnetism and Hauntological Metarealism: The Phantasmatic Doubles of Duchamp and Durville

      Fae Brauer

      págs. 43-76

      

    • Conditional-Realistic Constructivism or Constructivist New Realism

      Roann Barris

      págs. 77-90

      

    • "Eine Verteidigung des Wirklichen": Kunst und Realität im Spätwerk Carl Einsteins

      Klaus H. Kiefer

      págs. 91-106

      

    • Fremde Formen – neue Sprache: Zum innovativen Potential afrikanischer Kunst in Carl Einsteins Negerplastik

      Eva Wiegmann

      págs. 107-120

      

  • Surpassing Realism?

    • Ähnlichkeit als Konzept des SurRealismus

      Sara Bangert

      págs. 123-138

      

    • Surreal Science and Scientific Surrealism: Dalí and the Fundamental Building Blocks of Reality

      Charis Charalampous, Thalia Trigoni

      págs. 139-152

      

    • Toward the Conquest of (Another) Reality: The Sur/realist Image in Nicolas Calas’ Art Theoretical Discourse

      Victoria Ferentinou

      págs. 153-166

      

    • D’un réalisme indiciaire: la revue Documents (1929–1930)

      Émile Bordeleau-Pitre

      págs. 167-178

      

    • Spiegelung des Selbst: Giorgio de Chirico über Gustave Courbet: Realismus und Pittura Metafisica

      Sophia Stang

      págs. 179-194

      

    • A Quest for a “New Man”: Bruno Schulz and Giorgio de Chirico

      Irena Kossowska

      págs. 195-208

      

    • Zeichen der Doppelbödigkeit: Filmisches Erzählen als Funktion des Magischen Realismus bei Friedo Lampe

      Stephan Brössel

      págs. 209-222

      

    • When the Reality is Unreal: Camps, Towers and Internment

      Andrew McNamara

      págs. 223-245

      

  • Media/Documenting the Real?

    • Le réalisme des appareils

      Danièle Méaux

      págs. 247-260

      

    • The Inconceivable Reality: Amateur Photography and Professional Painting

      Éva Forgács

      págs. 261-278

      

    • A Beautiful New World: Reflections of Russian Revolution in Avant-Garde Czech Print

      Meghan Forbes

      págs. 279-298

      

    • The Real Reality: Notes on Boris Klinč and Photomontage in the USSR

      Jindřich Toman

      págs. 299-310

      

    • Constructivism between the Reality and an Aesthetic Performance: Translating Poetic Performative Across Media in For the Voice by Vladimir Mayakovsky and El Lissitzky

      Anna Shvets

      págs. 311-330

      

    • Reality as Disguise: Tadeusz Kantor’s Happenings

      Justyna Michalik-Tomala

      págs. 331-342

      

    • The Cinema of Improvisation: Bildwerdung zeitgenössischer Wirklichkeiten in Shadows und Pull My Daisy

      Berit Hummel

      págs. 343-361

      

  • Realist Turns/Politics of Realism?

    • Fernand Léger’s New Realism: Painting for the People in 1930s France

      Rachel Boate

      págs. 363-374

      

    • Picasso vs. Fougeron: Cahiers d’Art and Quarrels over Realism in France (1932–1949)

      Chara Kolokytha

      págs. 375-390

      

    • Whose Figuration?: Varieties of Realism in Romanian Art 1968–1972

      Christian Nae

      págs. 391-406

      

    • The Use(s) of Realism in Spain: Politics and the Visual Arts in the Long Sixties

      Noemí de Haro García

      págs. 407-424

      

    • (Ir)Real Portugal: Dictatorship and Resistance in Neo-Realism, Surrealism and Abstraction

      Paula Ribeiro

      págs. 425-438

      

    • State-commission in Modern Times: Realism and Modernism in the Mural Paintings of the Artist Almada Negreiros (1893–1970)

      Mariana Pinto dos Santos

      págs. 439-457

      

  • Things/Thingness/Objectivity?

    • Unter dem Pflaster ist die Kanalisation: Oder war das Böse das wirklich Reale der Historischen Avantgarden?

      Helmut Lethen

      págs. 459-472

      

    • Modernistischer Realismus der Arbeiterbewegungsliteratur

      Christoph Schaub

      págs. 473-486

      

    • Das Ich und die Dinge: Nach-avantgardistischer Konsumrealismus in Irmgard Keuns Das kunstseidene Mädchen

      Till Huber

      págs. 487-498

      

    • “… this is without a doubt the most despicable barbarism one could attain”: Perspectives on the Negative Reception of Nieuwe Zakelijkheid in Dutch Literary Criticism

      Janka Wagner

      págs. 499-510

      

    • “Everything Is Symbolical”: Explorations of Thingness in George Eliot’s Middlemarch and Virginia Woolf’s To the Lighthouse

      Daniel Schneider

      págs. 511-524

      

    • “Reism” in Slovenian Neo-Avant-Garde Literature and Art

      Marijan Dović

      págs. 525-546

      

    • Dinge als Akteure in (neo)avantgardistischen Texten

      Sabine Kyora

      págs. 547-559

      

  • New Sincerity/New Openings in the Twenty-First Century?

    • Rewriting the Real – Dialogic Perspectives of Interventionist Strategies in Contemporary French Literature

      Steen Bille Jorgensen

      págs. 561-574

      

    • Eine unzeitgemäße Zeitgenossenschaft?: Über den Realismus des Designs in der Kunst der Gegenwart

      Burkhard Meltzer

      págs. 575-590

      

    • Historiographies of Realism in the Work of Chto Delat?

      Sebastian Mühl

      págs. 591-603

      

    • Whither Realism?: New Sincerity – Realismus der Gegenwart

      Philipp Ohnesorge, Philipp Pabst, Hannah Zipfel

      págs. 603-618