Información General

• Autores: Adam Dubin, Dean Vuletic, Antonio Obregón García (coord.)
• Editores: Taylor & Francis, Routledge/Taylor & Francis Group
• Año de publicación: 2022
• País: Reino Unido
• Idioma: inglés
• ISBN: 9781032037745
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Adam Dubin, Dean Vuletic and Antonio Obregón (Eds.). The Eurovision Song Contest as a Cultural Phenomenon. From Concert Halls to the Halls of Academia. Published by Routledge, New York (2023), 275 pp.

    José Patricio Pérez Rufí

    Comunicación y sociedad = Communication & Society, ISSN-e 2386-7876, ISSN 0214-0039, Vol. 37, Nº. 2, 2024, págs. 217-219

Resumen

• Drawing from the wealth of academic literature about Eurovision written over the last two decades, this book consolidates and recognizes Eurovision's relevance in academia by analysing its contribution to different fields of study.

  The book brings together leading Eurovision scholars from across disciplines and from across the globe to reflect on the intersection between their academic fields of study and the Eurovision Song Contest by answering the question: What has Eurovision contributed to academia? The book also draws from fields rarely associated with Eurovision, such as Law, Business and Research Methodologies, to demonstrate the song contest's broad utility in research, pedagogy and in practice.

  Given its interdisciplinary approach, this volume will be of interest to scholars and students working in cultural, media, and communication studies, as well as those interested in the intersections of culture, media, nationalism, education, pedagogy, and history.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • From Lugano to the Classroom: The ESC and Academia

    • The Grand Tour: The Origins of the ESC as a Cultural Phenomenon

      Dean Vuletic

      págs. 3-17

      

    • The Eurovision Song Contest: An Academic Phenomenon

      Antonio Obregón García

      págs. 18-35

      

    • A Human Rights-Based Analysis of the Eurovision Song Contest and the European Broadcasting Union

      Adam Dubin

      págs. 36-53

      

  • From Past to Present: History, Politics and Society

    • The Mythology of Song Contests

      Ivan Raykoff

      págs. 56-67

      

    • Teaching European History and Memory through Eurovision During the Covid-19 Pandemic

      Alison Lewis, John Hajek

      págs. 68-82

      

    • A March for Power: The Variety of Political Programs on the Eurovision Stage

      Gad Yair, Chen Ozeri

      págs. 83-95

      

    • The Molitva Factor: Eurovision and ‘Performing’ National Identity in World Politics

      Catherine Baker

      págs. 96-110

      

    • A Critical Pedagogical Eurovision Euphoria: The Potential of the Eurovision Song Contest to Promote Values Propagated by the European Union within Formal Learning Contexts

      George Cremona

      págs. 111-128

      

    • Sharing Values in the Eurovision Song Contest and OTI Festival: The Moral Fourth Person in the Lyrics of the Winning Songs

      Ariel James

      págs. 129-143

      

    • Eurovision in the Boardroom: What Does Voting Order Tell Us About Decision Making?

      José Luis Arroyo Barrigüete, Lourdes Fernández, Antonio Obregón García

      págs. 144-159

      

  • From Stage to Screen: Film, Media, and Music

    • High, Low, and Participatory: The Eurovision Song Contest and Cultural Studies

      Jessica Carniel

      págs. 163-174

      

    • Queer Camp Against Franco: Iván Zulueta’s Eurovision Song Contest Parody Un Dos Tres

      Robert Tobin

      págs. 175-187

      

    • The Eurovision Song Contest and European Television History: Continuity, Adaptation, Experimentation

      Mari Pajala

      págs. 188-200

      

    • From Trouble to Bubble? The Ambiguous Relationship between Professional Journalists and Fan Media in the Eurovision Song Contest

      Irving Wolther

      págs. 201-218

      

    • Domesticity, Mass Media, and Moving-Image Aesthetics: The Visual Identity of the Eurovision Song Contest as a Hospitable Platform

      José Luis Panea

      págs. 219-236

      

    • Armchair Researchers: Modes of Ethnographic Research for Understanding and Experiencing Eurovision

      Chris Hay, Jessica Carniel

      págs. 237-248

      

    • Between Concepts and Behaviors: The Eurovision Song Contest and Ethnomusicology

      Sofía Vieira Lopes, Joao Soeiro de Carvalho

      págs. 249-265