Información General

• Autores: Jacopo Galimberti (coord.), Noemí de Haro García (coord.), Victoria H. F. Scott (coord.)
• Editores: Manchester University Press
• Año de publicación: 2019
• País: Reino Unido
• Idioma: inglés
• ISBN: 9781526117465, 9781526117472
• Texto completo no disponible (Saber más ...)

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction. The art of contradiction

    Jacopo Galimberti, Noemí de Haro García, Victoria H. F. Scott

    págs. 1-14

    

  • Realising the Chinese Dream. Three visions of making China great again

    Stefan R. Landsberger

    págs. 15-34

    

  • Realism, socialist realism and China’s avant-garde. A historical perspective

    Yan Geng

    págs. 35-52

    

  • Engineering the human soul in 1950s Indonesia and Singapore

    Simon Soon

    págs. 53-66

    

  • Framing margins Mao and visuality in twentieth-century India

    Sanjukta Sunderason

    págs. 67-86

    

  • The Black Panther newspaper and revolutionary aesthetics

    Colette Gaiter

    págs. 87-108

    

  • The Red Flag. The art and politics of West German Maoism

    Lauren Graber, Daniel Spaulding

    págs. 109-128

    

  • A secondary contradiction. Feminist aesthetics and ‘The Red Room for Vietnam’

    Elodie Antoine

    págs. 129-148

    

  • Materialist translations of Maoism in the work of Supports/Surfaces

    Allison Myers

    págs. 149-164

    

  • Mao, militancy and media. Daniel Dezeuze and China from scroll to (TV) screen

    Sarah Wilson

    págs. 165-186

    

  • La Familia Lavapiés. Maoism, art and dissidence in Spain

    Noemí de Haro García

    págs. 187-212

    

  • Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy

    Jacopo Galimberti

    págs. 213-232

    

  • Another red in the Portuguese diaspora. Lourdes Castro and Manuel Zimbro’s Un autre livre rouge

    Ana Bigotte Vieira, André Silveira

    págs. 233-248

    

  • Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution)

    Polly Savage

    págs. 249-268

    

  • Maoist imaginaries in Latin American art

    Ana Longoni

    págs. 269-288

    

  • Iconography of a prison massacre. Drawings by Peruvian Shining Path war survivors

    Anouk Guiné

    págs. 289-310

    

  • Mao in a gondola. Chinese representation at the Venice Biennale (1993–2003)

    Estelle Bories

    págs. 311-324

    

  • Reproducibility, propaganda and the Chinese origins of neoliberal aesthetics

    Victoria H. F. Scott

    págs. 325-344