Información General

• Autores: Raphaële Garrod (coord.), Yasmine Haskell (coord.)
• Editores: Brill
• Año de publicación: 2019
• País: Países Bajos
• Idioma: inglés
• ISBN: 978-90-04-32933-1, 978-90-04-38519-1
• Texto completo no disponible (Saber más ...)

Resumen

• This volume of essays contributes to our understanding of the ways in which the Jesuits employed emotions to “change hearts”—that is, convert or reform—both in Europe and in the overseas missions. The early modern Society of Jesus excited and channeled emotion through sacred oratory, Latin poetry, plays, operas, art, and architecture; it inflamed young men with holy desire to die for their faith in foreign lands; its missionaries initiated dialogue with and ‘accommodated’ to non-European cultural and emotional regimes. The early modern Jesuits conducted, in all senses of the word, much of the emotional energy of their times. As such, they provide a compelling focus for research into the links between rhetoric and emotion, performance and devotion, from the sixteenth through eighteenth centuries.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Changing Hearts: Performing Jesuit Emotions between Europe, Asia, and the Americas. Introduction

    Yasmin Haskell, Raphaële Garrod

    págs. 1-22

    

  • Senecan Catharsis in Nicolas Caussin’s Felicitas (1620): A Case Study in Jesuit Reconfiguration of Affects

    Raphaële Garrod

    págs. 23-42

    

  • Performing the Passions: Pierre Brumoy’s De motibus animi between Didactic and Dramatic Poetry

    Yasmin Haskell

    págs. 43-62

    

  • Passions on the Jesuit Stage: Systems of Affects in Eighteenth-Century Jesuit Theater Poetics

    Nienke Tjoelker

    págs. 63-86

    

  • Restricted Access “In what storms of blood from Christ’s flock is Japan swimming?": Gratia Hosokawa and the Performative Representation of Japanese Martyrdom in Mulier fortis (1698)

    Makoto Harris Takao

    págs. 87-120

    

  • The Angel and Ameri(c)a: Performing the “New World” in José Manuel Peramás’s De invento Novo Orbe inductoque illuc Christi sacrificio (1777)

    Maya Feile Tomes

    págs. 121-145

    

  • Si potes exemplo moveri, non propiore potes: Emotional Reciprocity in Laurent Le Brun’s Nova Gallia

    Peter O'Brien

    págs. 147-166

    

  • Restricted Access “I began to teach […]”: Emotion and Performance in Isaac Jogues’s Letter to Father Jean Filleau

    John A. Gallucci

    págs. 167-186

    

  • Restricted Access Performing Emotions at the Canonization of Ignatius of Loyola and Francis Xavier in the Southern Low Countries

    Ralph Dekoninck, Maarten Delbeke, Annick Delfosse, Koen Vermeir

    págs. 187-210

    

  • Restricted Access Jesuits and Music in Guam and the Marianas, 1668–1769

    David Irving

    págs. 211-234

    

  • Jesuit Visual Preaching and the Stirring of the Emotions in Iberian Popular Missions

    Juan Luis González García

    págs. 235-260

    

  • Restricted Access “Such fragile jewels”: The Emotional Role of Chinese Porcelain in Early Modern Jesuit Missions

    Susan Broomhall

    págs. 261-283

    

  • Restricted Access “Don Mancio, Nephew of the King of Hizen”: Echoes of the Japanese Tenshō Mission to Europe in 1585 in the Portrait of Sukemasu Itô by Domenico Tintoretto

    Paola Di Rico, Marino Viganò

    págs. 284-301