Información General

• Autores: Graham D. Caie (ed. lit.)
• Editores: Tuckwell Press
• Año de publicación: 2001
• País: Reino Unido
• Idioma: inglés
• ISBN: 1898410976
• Recoge los contenidos presentados a: International Conference on Medieval and Renaissance Scottish Language and Literature (7. 1993. Glasgow).
• Texto completo no disponible (Saber más ...)

Resumen

• The proceedings of the Seventh International Conference on Medieval and Renaissance Scottish Language and Literature. Topics covered in this volume include: the development of Protestant aesthetics; literary culture and the early Scottish court; and teaching Older Scots as a foreign language.

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• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Hneryson and the art of precise allegorical argument

    R.D.S. Jack

    págs. 1-11

    

  • Duns Scotus on intellect and will

    Alexander Broadie

    págs. 12-23

    

  • Scotland on the European storytelling map

    Sheila Douglas

    págs. 24-29

    

  • The Song of the Cherubim

    John Purser

    págs. 30-43

    

  • Scottish poetry of the reign of Mary Stewart

    A.A. Macdonald

    págs. 44-61

    

  • Soldiers and divines: Scottish-Danish relations, 1589-1707

    Thomas Riis

    págs. 62-69

    

  • The foundations of cosmopolitan culture: Scottish involvement abroad before the American colonisation

    Ned C. Landman

    págs. 70-79

    

  • The experience of being a bilingual writer

    Lain Crichton Smith

    págs. 80-90

    

  • The legacy of the makars

    Edwin Morgan

    págs. 91-105

    

  • Gilbert Hay and the problem of sources: the case of the "Buke of the Ordre of Knychthede"

    J. A. Glenn

    págs. 106-118

    

  • French connections?: From the "Grands Rhétoriqueurs" to Clément Marot

    Priscilla Bawcutt

    págs. 119-128

    

  • The Scots, the French, and the English: an Arthurian episode

    Sally Mapstone

    págs. 129-144

    

  • A story of one faith and blood: "Orkneyinga saga" and the poetics of historical continuity

    Berthold Schoene

    págs. 145-155

    

  • The literary culture of the early Scottish court

    Benjamin Hudson

    págs. 156-165

    

  • Turning law into literature: the influence of the "Ars Notaria" on fifteenth-century Scottish literature

    Robert L. Kindrick

    págs. 166-180

    

  • Who knows if all that critics wrote was true?: some thoughts on Robert Henryson's 'biography'

    Rosemary Greentree

    págs. 181-190

    

  • William Dunbar's rhetoric of power

    Joanne S. Norman

    págs. 191-201

    

  • Narrative subjectivity and narrative distancing in James I of Scotland's "Kingis Quair"

    Maury McCrillis III

    págs. 202-210

    

  • The European tragedy of Cresseid: The Scottish response

    Anne McKim

    págs. 211-220

    

  • Cresseid as the other

    Robert D. Drexler

    págs. 221-231

    

  • Robert Henryson, Pico della Mirandola, and late fifteenth-century heroic humanism

    Steven R. McKenna

    págs. 232-241

    

  • Robert Henryson on Man and the "Thing Present"

    Matthew P. McDiarmid

    págs. 242-248

    

  • Lions without villainy: moralisations in a heraldic bestiary

    L.A.J.R. Houwen

    págs. 249-266

    

  • "The Freiris of Berwik" and the Fabliau tradition

    Roy James Goldstein

    págs. 267-275

    

  • Re-evaluating the case for a Scottish "Eger and Grime"

    D. D. Evans

    págs. 276-287

    

  • "The Thewis of Gudwomen": Middle Scots moral advice with European connections?

    Kathryn Saldanha

    págs. 288-299

    

  • 'Chrystis Kirk on the Grene': dialoguic satire in fifteenth-century Scotland

    Christine Marie Harker

    págs. 300-308

    

  • Scottish historiographical writing: the evolution of tradition

    Kenneth D. Farrow

    págs. 309-322

    

  • Some Scottish humanists' views on the Highlanders

    Ulrike Morét

    págs. 323-332

    

  • Lyndsay and Europe: politics, patronage, printing

    J. Hadley Williams

    págs. 333-346

    

  • Scott/English interaction in "The Complaynt of Scotland"

    María Nieves Rodríguez Ledesma

    págs. 347-354

    

  • Traditions of myth and fabliau in "The Cupar Bams"

    Evelyn S. Newlyn

    págs. 355-367

    

  • Alexander Allan (Alesius) and the development of a protestant aesthetics

    Roderick J. Lyall

    págs. 368-380

    

  • Scots words and their glosses in the Kailyard novels

    Clausdirk Pollner

    págs. 381-387

    

  • Memoirs of a European Scotland

    Alan MacGillivray

    págs. 388-398

    

  • Teaching Older Scots... as a foreign language?

    John Corbett

    págs. 399-411

    

  • Teaching Henryson in senior school

    Morna R. Fleming

    págs. 412-422

    

  • The Bannatyne Manuscript Lyrics: literary convention and authorial voice

    Theo van Heijnsbergen

    págs. 423-444

    

  • Enargeia in "The Cherrie and the Slae"

    Charles Calder

    págs. 445-451

    

  • 'Counterfeiting God': James VI (I) and the politics of "Daemonologie"

    Daniel Fischlin

    págs. 452-474

    

  • Sir William Alexander: the failure of tragedy and the tragedy of failure

    T. Howard-Hill

    págs. 475-486

    

  • Who was Laurence Fletcher?

    D. Angus

    págs. 487-493

    

  • Drummond of Hawthornden and poetic translation

    J. D. Mcclure

    págs. 494-506

    

  • The poetic voices of Robert Ayton

    David W. Atkinson

    págs. 507-519

    

  • What William Lithgow was doing abroad: "The Rare Adventures and Painfull Peregrinations"

    David Reid

    págs. 520-533

    

  • Mistress and mother as political abstraction: the apostrophic poetry of James Graham, Marquis of Montrose, and William Lithgow

    Edward J. Cowan

    págs. 534-543