Back to the future. The future in the past : ICDHS 10th+1 Barcelona 2018: conference proceedings book
Información General
- Autores: Oriol Moret (ed. lit.)
- Editores: Universidad de Barcelona, Edicions de la Universitat de Barcelona
- Año de publicación: 2018
- País: España
- Idioma: inglés
- ISBN: 9788491681717
- Texto completo no disponible (Saber más ...)
Otros catálogos
Listado de artículos
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Introduction
págs. 17-18
págs. 19-22
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Tribute
págs. 23-28
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Keynote Lectures
Industrial Arts vs Arts and Crafts: Parallels and Contrasts Between Catalonia and Great Britain in the 19th and 20th Centuries
págs. 29-36
págs. 37-40
The Museu del Disseny de Barcelona: Heritage, a Resource at the Service of Knowledge, Debate and Social Challenges
págs. 41-46
págs. 47-61
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1.1 Territories in the Scene of Globalised Design: Localisms and Cosmopolitanisms
From Local to Global: Roca Corporation's First 100 Years. The history of a company producing bathroom fittings and goods to spread comfort, hygiene, wellbeing and salubriousness worldwide
págs. 63-67
The Emergence of a Field in a Local Context: The Initial Steps of Interior Architecture in Turkey
págs. 68-72
The Development of the British Avant-Garde and Print Media in the Early 20th Century: In Reference to Vorticism
págs. 73-76
págs. 77-80
Japanese Concepts of Modern Design in the 1950: With Special Reference to Isamu Kenmochi and Masaru Katsumie
págs. 81-84
págs. 85-88
The Acceptance of Ornament in Modern Design: Kineticism and the Vienna Workshops in the 1920s
págs. 89-92
Local Encounters with Glass: Material Intensisites in Sanaa's Architecture
págs. 93-96
From Avant-garde to Regionalism: The Strange Case of Rationalist Architecture in the Canary Islands
págs. 97-101
Glocal Design in Spain. Challenge and Opportunity
Nieves Fernández Villalobos, Begoña López de Aberasturi De Arredondo
págs. 102-106
págs. 107-110
American Potters' Interventions with the Tea Bowl: Using Thing Theory to Problematize Cultural Appropriation
págs. 111-115
Design ad Mediator in the Process of Commodification of Vernacular Artifacts in Brazil
Viviane Mattos Nicoletti, Maria Cecilia Loschiavo dos Santos
págs. 116-120
págs. 121-124
Design ad Mediator Between Local Resources and Global Visions. Experiences of Design for Territories
págs. 125-137
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1.2 Designing the Histories of Southern Designs
págs. 139-143
págs. 144-148
págs. 149-152
National Design and Desenho Industrial: Brazilian Issues in Historical Perspective
págs. 153-156
págs. 157-161
Challenges for a Project Education: Art-recycling and Popular Expression in Brazilian Material Culture
págs. 162-166
págs. 167-171
Designing the Historical Construcion of Design Culture and Visual Communication from the South: The Development of a Design Field in Uruguay from a Historical-Critical Perspective
Laura Cesio, Mónica Farkas, Magdalena Sprechmann, Mauricio Sterla
págs. 172-176
Perceiving the Future: Experimental Design at Elisava 1986-1992
págs. 177-181
págs. 182-186
Francisco Otta: A Multidisciplinary Pioneer in 20th Century Chile
págs. 187-190
págs. 191-194
págs. 195-199
págs. 200-204
Cecília Jucá, Graphic Artist: The Books Iª Paca and Escritura, by the Hands of the Author
págs. 205-217
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1.3 Mediterranean-ness: An Inquiry into Design and Design History
págs. 221-225
págs. 226-230
págs. 231-235
Fabrics of Barcelona: The Future in the Past
págs. 236-240
págs. 241-245
The Design Phenomenon in Castellón: The Development of the Ceramic Tile Industry and its Eventual Establishment as a System
págs. 246-257
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1.4 From Ideology to Methodology: Design Histories and Current Developments in Post-Socialist Countries
From Their Values to Our Own: Development of Graphic Design education in Slovakia aftter 1989
págs. 259-263
págs. 264-268
págs. 269-273
The Role of Socialist Architectural Heritage and Design for the Construction of Contemporary Identities: Modernism in Warsaw
págs. 274-285
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1.5 [100th Anniversary of the Bauhaus Foundation]: Tracing the Map of the Diaspora of its Students
Design for Militarization in Wartime: Bauhäusler Immigrants in the US
págs. 287-291
Examining the Methodology of Arieh Sharon's Kibbutz Planning (1938-50): A Perspective Based on his Architectural Education at the Bauhaus
págs. 292-295
The Lost Typefaces of Xanti Schawinsky: From the Bauhaus to Italy
págs. 296-299
págs. 300-309
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1.6 Design History: Gatekeeper of the Past and Passport to Meaningful Future?
Navigating in the Gap: Designing Historical Fiction and Speculating the Present
págs. 311-314
págs. 315-318
págs. 319-322
From Theory to Practice: The History of Portuguese Design as a Tool for Understanding Design Practice
págs. 323-327
Living Archives: Merging Design History and the Design Studio in an Educational Experience
págs. 328-332
págs. 333-337
The Landscape of Coworking Spaces: An Exploration Between Past and Future
págs. 338-342
págs. 343-347
págs. 348-352
Daciano da Costa: Protagonist of Portuguese Furniture Design
págs. 353-357
Design and Design History in Post Brexit Britain: Looking Backwards, Looking Forwards
págs. 358-362
Adding Value Through and To Design: Lessons from New Zealand Design Policy
págs. 363-366
Exhibition Structures: Displaying Portugal
págs. 367-371
Hermeneutics of the Port Wine Poster: From Past to Present
págs. 372-381
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1.7 Constructivism and Deconstructivism: Global Development and Criticism
Anna Calvera, ICDHS Scientific Committee
págs. 382-389
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1.8 An Expanded Global Framework for Design History
págs. 393-396
págs. 397-401
págs. 402-405
Dignifying Labour: The History of Early Vocational Education in Indonesia and Singapore
págs. 406-410
Education and Professionalisation of Commercial Art in 1930s Colonial Korea: The Tonga Ilbo Commercial Art Exhibition (1938-1939) as Displayed Colonial Modernity
págs. 411-415
When We Were Modern: Corporate Identity in Cork Pubs 1960-69
págs. 416-420
págs. 421-425
The Winds of Change: Cosmopolitanism and Geopolitical Identities in the Context of Icograda
págs. 426-430
págs. 431-434
págs. 435-440
págs. 441-445
págs. 446-457
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1.9 Design Museums Network: Strengthening Design by Making it Part of Cultural Legacy
págs. 459-463
págs. 464-468
págs. 469-481
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1.10 Types and Histories: Past and Present Issues of Type and Book Design
págs. 483-487
The History of Opening Titles in Portuguese Cinema: First Contributions
págs. 488-492
Designing the Early History of Typography in Brazil, Starting from Printing in São Paulo
Priscila Lena Farias, Daniela K. Hanns, Isabella R. Aragão, Catherine Dixon
págs. 493-498
págs. 499-502
Statements and Fluxshoe Add End A: The Artist's Book versus the Crystal Goblet
págs. 503-507
Textual-type or Visual-type? Historical Approach to the Hybrid Nature of Typographical Characters
Nereida Tarazona Belenguer, Olga Ampuero Canellas, Jimena González del Río Cogorno, Begoña Jordá Albiñana
págs. 508-512
Sign Painters of Pernambuco: A Brief History of the Origins, Aesthetics and Techniques of their Practice in the Northeast of Brazil
págs. 513-517
págs. 518-521
págs. 522-525
págs. 526-537
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2.1 Design Aesthetics: Beyond the Pragmatic Experience and Phenomenology
págs. 541-545
págs. 546-549
págs. 550-553
Tales of Past Tables. Karen Blixen's Storytelling as a Foundation for a New Narrative Design Tool
Tenna Doktor Olsen Tvedebrink, Anna Marie Fisker, Anna Eva Utke Heilmann, Nini Bagger
págs. 554-558
Photography and Designed Space: A Shift in Perspective
págs. 559-563
págs. 564-569
págs. 570-574
págs. 575-579
Roman-like Thai Typefaces: Breakthrough or Regression?
págs. 580-585
págs. 586-597
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2.2 Public Policies on Design and Design-driven Innovation
Decorative Paternalism: Analysis of Two Books of the National Campaign for the Education of Adults Devoted to Interior Decoration - 1956
págs. 599-603
págs. 604-608
Scottish Independence and Design Education: Historical Reflections and Contemporary Observations
págs. 609-613
Designing from the Centre: State-sponsored Design in Britain and Politically Driven Decision-making
págs. 614-618
págs. 619-622
Future Scenarios as a Significant Complement for Innovation Methodologies in Chile and Latin America
págs. 623-627
A Proposal for a Regional Design Policy in the Canary Islands: Design System Mapping, Strategies and Challenges
págs. 628-632
págs. 633-636
Design in Visions: Visions of/on Design from the Events, Declarations and Policies in India
págs. 637-649
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2.3 Digital Humanities: How Does Design in Today's Digital Realm Respond to What We Need?
págs. 651-655
Linked Objects: Relational Memory of Design at Barcelona Design Museum
págs. 656-660
Snippets: Designs for Digital Transformations in the Age of Google Books
págs. 661-665
págs. 666-677
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2.4 Design Studies: Design Methods and Methodology, the Cognitive Approach
págs. 679-683
Communicating in the 21st Century: New Materials as Creative Boosters
págs. 684-688
págs. 689-693
Methodologies in Doctoral Research in Design: The Role of Research Paradigms
págs. 694-698
DRS Conferences: Barometer and Mirror of Theoretical Reflection on the Design Discipline. First Discussions
págs. 699-705
Transdisciplinarity in Architecture as a Digital Change: Back to the Future
págs. 706-710
The Teaching of Semiotics for Design: How Do We Do Today?
págs. 711-714
Intelligible Design: The Origin and Visualization of Species
págs. 715-725
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2.5 Vehicles of Design Criticism
Something to Cure or Salute: Reconsidering Industrial Design Historically at the Edge of Dissociative Identity Disorder
págs. 727-730
págs. 731-734
João Machado: The Communicator of Beauty
págs. 735-745
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3. Open Session: Research and Works in Progress
Linear and Spheric Time: Past, Present and Future at Centro Carioca de Design, Rio de Janeiro
págs. 747-751
Counting and Interviewing Women: Female Graphic Designers in ADG Brasil Biennial Catalogs
págs. 752-757
Design History Foundation: Topics in the Past, Present and Future
págs. 758-762
págs. 763-767
The Business Face of Swiss Graphic Design: The Case of Studio Hollenstein (1957-1974)
págs. 768-772
Casting the Net: Early Career Projects and Network Creation
págs. 773-777
págs. 778-781
Generative Design as Tool for Social Innovation: A Methodological Approach
Erika Cortés, Aura Cruz
págs. 782-786
Additive Manufacturing Artefacts: An Evaluation Matrix Proposal
págs. 787-797
Standards and Variations: Livaria José Olympio's Book Covers in the 1930s and the 1940s
págs. 798-803
págs. 804-808
Post Poster: The Loss of Aura and the Devaluation of the Chilean Poster in the Digital Age
págs. 809-813
Uncovering and Questioning Unidesign: Archival Research and Oral History at Work
págs. 814-819
Brassard Design: The History of Symbolic Power in Korea
págs. 820-824
págs. 825-828
págs. 829-833
Design Utopia or Design Fiction? Reassessing Labor and Work Models in Communication Design: From Industrialization to the Present Day
págs. 834-838
Rebirth of an Old Ottoman Primary School: Urla Design Library
págs. 839-843
págs. 844-848
pág. 849
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