ICDHS 10th+1 Barcelona 2018 · ICDHS is the acronym of the International Committee of Design History and Design Studies, an organisation that brings together scholars from Spain, Cuba, Turkey, Mexico, Finland, Japan, Belgium, the Netherlands, Brazil, Portugal, the US, Taiwan, Canada and the UK. Since 1999, when the Design and Art History departments of the University of Barcelona organised the first edition of the ICDHS, a conference has been held every two years at a different venue around the world. These conferences have had two distinct aims: first, to present original research in the fields of Design History and Design Studies and, second, to include contributions in these fields from non-hegemonic countries, offering a speaking platform to many scientific communities that are already active or are forming and developing. For that reason, the structure of the conferences combines many parallel strands, including poster presentations and keynote speakers who lecture on the conferences’ main themes.
The 2018 event is rather special. The Taipei 2016 conference was the 10th edition and a commemoration of the ten celebrations to date. Returning to Barcelona in 2018 marks the end of one stage and the beginning of a new one for the Committee. The numbering chosen—“10+1”—also means that Barcelona 2018 is both an end and a beginning in the ICDHS’s own history. The book brings together 137 papers delivered at the ICDHS 10th+1 Conference held in Barcelona on 29–31 October 2018. The papers are preceded by texts of the four keynote lectures and a written tribute from the ICDHS Board to its founder and figurehead, Anna Calvera (1954–2018). The Conference, and the book, are dedicated to her memory.
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Industrial Arts vs Arts and Crafts: Parallels and Contrasts Between Catalonia and Great Britain in the 19th and 20th Centuries
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The Museu del Disseny de Barcelona: Heritage, a Resource at the Service of Knowledge, Debate and Social Challenges
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From Local to Global: Roca Corporation's First 100 Years. The history of a company producing bathroom fittings and goods to spread comfort, hygiene, wellbeing and salubriousness worldwide
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The Emergence of a Field in a Local Context: The Initial Steps of Interior Architecture in Turkey
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The Development of the British Avant-Garde and Print Media in the Early 20th Century: In Reference to Vorticism
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Japanese Concepts of Modern Design in the 1950: With Special Reference to Isamu Kenmochi and Masaru Katsumie
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The Acceptance of Ornament in Modern Design: Kineticism and the Vienna Workshops in the 1920s
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Local Encounters with Glass: Material Intensisites in Sanaa's Architecture
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From Avant-garde to Regionalism: The Strange Case of Rationalist Architecture in the Canary Islands
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Glocal Design in Spain. Challenge and Opportunity
Nieves Fernández Villalobos, Begoña López de Aberasturi De Arredondo
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American Potters' Interventions with the Tea Bowl: Using Thing Theory to Problematize Cultural Appropriation
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Design ad Mediator in the Process of Commodification of Vernacular Artifacts in Brazil
Viviane Mattos Nicoletti, Maria Cecilia Loschiavo dos Santos
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Design ad Mediator Between Local Resources and Global Visions. Experiences of Design for Territories
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National Design and Desenho Industrial: Brazilian Issues in Historical Perspective
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Challenges for a Project Education: Art-recycling and Popular Expression in Brazilian Material Culture
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Designing the Historical Construcion of Design Culture and Visual Communication from the South: The Development of a Design Field in Uruguay from a Historical-Critical Perspective
Laura Cesio, Mónica Farkas, Magdalena Sprechmann, Mauricio Sterla
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Francisco Otta: A Multidisciplinary Pioneer in 20th Century Chile
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Cecília Jucá, Graphic Artist: The Books Iª Paca and Escritura, by the Hands of the Author
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The Design Phenomenon in Castellón: The Development of the Ceramic Tile Industry and its Eventual Establishment as a System
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From Their Values to Our Own: Development of Graphic Design education in Slovakia aftter 1989
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The Role of Socialist Architectural Heritage and Design for the Construction of Contemporary Identities: Modernism in Warsaw
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Design for Militarization in Wartime: Bauhäusler Immigrants in the US
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Examining the Methodology of Arieh Sharon's Kibbutz Planning (1938-50): A Perspective Based on his Architectural Education at the Bauhaus
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The Lost Typefaces of Xanti Schawinsky: From the Bauhaus to Italy
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Navigating in the Gap: Designing Historical Fiction and Speculating the Present
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From Theory to Practice: The History of Portuguese Design as a Tool for Understanding Design Practice
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Living Archives: Merging Design History and the Design Studio in an Educational Experience
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The Landscape of Coworking Spaces: An Exploration Between Past and Future
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Daciano da Costa: Protagonist of Portuguese Furniture Design
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Design and Design History in Post Brexit Britain: Looking Backwards, Looking Forwards
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Adding Value Through and To Design: Lessons from New Zealand Design Policy
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Hermeneutics of the Port Wine Poster: From Past to Present
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Dignifying Labour: The History of Early Vocational Education in Indonesia and Singapore
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Education and Professionalisation of Commercial Art in 1930s Colonial Korea: The Tonga Ilbo Commercial Art Exhibition (1938-1939) as Displayed Colonial Modernity
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The Winds of Change: Cosmopolitanism and Geopolitical Identities in the Context of Icograda
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The History of Opening Titles in Portuguese Cinema: First Contributions
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Designing the Early History of Typography in Brazil, Starting from Printing in São Paulo
Priscila Lena Farias, Daniela K. Hanns, Isabella R. Aragão, Catherine Dixon
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Statements and Fluxshoe Add End A: The Artist's Book versus the Crystal Goblet
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Textual-type or Visual-type? Historical Approach to the Hybrid Nature of Typographical Characters
Nereida Tarazona Belenguer, Olga Ampuero Canellas, Jimena González del Río Cogorno, Begoña Jordá Albiñana
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Sign Painters of Pernambuco: A Brief History of the Origins, Aesthetics and Techniques of their Practice in the Northeast of Brazil
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Tales of Past Tables. Karen Blixen's Storytelling as a Foundation for a New Narrative Design Tool
Tenna Doktor Olsen Tvedebrink, Anna Marie Fisker, Anna Eva Utke Heilmann, Nini Bagger
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Photography and Designed Space: A Shift in Perspective
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Roman-like Thai Typefaces: Breakthrough or Regression?
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Decorative Paternalism: Analysis of Two Books of the National Campaign for the Education of Adults Devoted to Interior Decoration - 1956
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Scottish Independence and Design Education: Historical Reflections and Contemporary Observations
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Designing from the Centre: State-sponsored Design in Britain and Politically Driven Decision-making
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Future Scenarios as a Significant Complement for Innovation Methodologies in Chile and Latin America
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A Proposal for a Regional Design Policy in the Canary Islands: Design System Mapping, Strategies and Challenges
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Design in Visions: Visions of/on Design from the Events, Declarations and Policies in India
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Linked Objects: Relational Memory of Design at Barcelona Design Museum
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Snippets: Designs for Digital Transformations in the Age of Google Books
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Communicating in the 21st Century: New Materials as Creative Boosters
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Methodologies in Doctoral Research in Design: The Role of Research Paradigms
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DRS Conferences: Barometer and Mirror of Theoretical Reflection on the Design Discipline. First Discussions
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Transdisciplinarity in Architecture as a Digital Change: Back to the Future
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Something to Cure or Salute: Reconsidering Industrial Design Historically at the Edge of Dissociative Identity Disorder
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Linear and Spheric Time: Past, Present and Future at Centro Carioca de Design, Rio de Janeiro
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Counting and Interviewing Women: Female Graphic Designers in ADG Brasil Biennial Catalogs
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Design History Foundation: Topics in the Past, Present and Future
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The Business Face of Swiss Graphic Design: The Case of Studio Hollenstein (1957-1974)
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Generative Design as Tool for Social Innovation: A Methodological Approach
Erika Cortés, Aura Cruz
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Additive Manufacturing Artefacts: An Evaluation Matrix Proposal
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Standards and Variations: Livaria José Olympio's Book Covers in the 1930s and the 1940s
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Post Poster: The Loss of Aura and the Devaluation of the Chilean Poster in the Digital Age
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Uncovering and Questioning Unidesign: Archival Research and Oral History at Work
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Design Utopia or Design Fiction? Reassessing Labor and Work Models in Communication Design: From Industrialization to the Present Day
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