Popular music, technology, and the changing media ecosystem: from cassettes to stream
Información General
- Autores: Tamas Tofalvy (ed. lit.), Emília Barna (ed. lit.)
- Editores: Palgrave Macmillan Suiza
- Año de publicación: 2020
- Colecciones: Pop music, culture and identity
- País: Suiza
- Idioma: inglés
- ISBN: 978-3-030-44658-1
- Texto completo no disponible (Saber más ...)
DOIListado de artículos
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Continuity and change in the relationship between popular music, culture, and technology: an introduction
págs. 1-19
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Part I. Networks of technology and popular music
Music scenes as infrastructures: from live venues to algorithmic data
págs. 23-41
From music scenes to musicalized networks: a critical perspective on digitalization
págs. 43-58
Niche underground: media, technology, and the reproduction of underground cultural capital
págs. 59-76
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Part II. Taste, authenticity and digital media
The relentless rise of the poptimist omnivore: taste, symbolic power, and the digitization of the music industries
págs. 79-95
Frictionless platforms, frictionless music: the utopia of streaming in music industry press narratives
págs. 97-113
The sex playlist: how race and ethnicity mediate musically "composed" sexual self-formation
págs. 115-128
págs. 129-145
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Part III. Materialities of music comsumption
Listening to the scrap: contested materialities of music in 1990s China
págs. 149-164
Obsolete technology?: The significance of the cassette format in twenty-first-century Japan
págs. 165-181
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Part IV. Scenes and the uses and discourses of Social Media
"Do you have a moment to talk about Vaporwave?": Technology, memory, and critique in the writing on an online music scene
págs. 185-200
Discovering music at Sofar Sounds: surprise, attachment, and the fan-artist relationship
págs. 201-216
Delicate balances: the roles of amateur concert videos in the Galicia underground scene
págs. 217-232
Cassetteboy: music, Social Media, and the policital comedy mash-up
págs. 233-251
