Información General

• Autores: Nick Aikens (coord.), Teresa Grandas (coord.), Nav Haq (coord.), Beatriz Herráez (coord.), Nataša Petrešin-Bachelez (coord.)
• Editores: Valiz
• Año de publicación: 2018
• País: Países Bajos
• Idioma: inglés
• ISBN: 9789492095497
• Texto completo no disponible (Saber más ...)

Resumen

• The Long 1980s speculates on the significance of the 1980s for the arts and society today. Arguing that the 1980s saw a fundamental reorientation in the relationship between governments and their publics, this volume explores how the effects of this shift have shaped our contemporary condition.

  Looking back at texts and artworks produced at the time, The Long 1980s puts this pivotal decade in context, exploring how it continues to shape the imaginative landscape of the 21st century.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • ‘It will have been the best of times: thinking back to the 1980s’

    Rosi Braidotti

    págs. 16-29

    

  • From Anti-Social-Liberal Punk to Intersectional Aids Activism (Sub-)Culture and Politics in Eighties Europe

    Diedrich Diedrichsen

    págs. 30-44

    

  • Part 1. No Alternative?

    • No alternative? Introduction

      Nav Haq

      págs. 46-51

      

  • Part 1.1. Autonomus Zones

    • Dissent and the Neoliberal Condition

      Manuel J. Borja-Villel

      págs. 52-59

      

    • The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism

      Hakim Bey

      págs. 60-63

      

    • Squatters

      Diana Franssen

      págs. 64-67

      

    • Premature Architecture Isidoro Valcárcel Medina

      Beatriz Herráez

      págs. 68-70

      

    • Rave

      Nav Haq

      págs. 71-77

      

    • Montevideo

      Antony Hudek

      págs. 78-82

      

    • Neue Slowenische Kunst

      Alexei Monroe

      págs. 83-85

      

    • The Phlegm of Taller Llunàtic

      Teresa Grandas

      págs. 86-88

      

    • BÍLAR Corporation

      Nazim Hikmet Richard Dikbaş

      págs. 89-91

      

  • Part 1.2. Broadcast Yourself

    • Autonomy, Revolt and the Imagination to Leave the Stage Reading Bluf! (Amsterdam) and Radikal (Berlin)

      Geert Lovink

      págs. 94-101

      

    • Sokak

      Merve Elveren, Erman Ata Uncu

      págs. 102-105

      

    • ‘A political poster must be like a blow into an open wound’

      Ana Mizerit

      págs. 106-109

      

    • Club Moral Moral and Mental in Antwerp

      Anders Kreuger

      págs. 110-111

      

    • 1984: The Adventures of the Alternative

      Jelena Vesić, Vladimir Jerić Vlidi

      págs. 112-121

      

    • Black Film Workshops

      June Givanni

      págs. 122-124

      

    • ‘Talking Back to the Media’

      Diana Franssen

      págs. 125-127

      

    • La imagen sublime’ Video Art Practices in Spain

      Cristina Cámara

      págs. 128-133

      

    • Jef Cornelis' The Longest Day

      Henry Andersen

      págs. 134-135

      

  • Part 2. Know Your Rights

    • Know your rights. Introduction

      Beatriz Herráez

      págs. 138-141

      

  • Part 2.1. Ecologies and Anti-Militarism

    • Environmental Protest in Europe in the Eighties

      Lisa Godson

      págs. 144-153

      

    • Orbanist Manifesto

      Luc Deleu

      págs. 154-157

      

    • Greenham Common

      Annie Fletcher

      págs. 158-160

      

    • Radical Democrats in Turkey Political Icebreakers in the Mid -Eighties

      Baris Gençer Baykan

      págs. 161-163

      

    • Razmerja and Ecology

      Božidar Flajšman

      págs. 164-168

      

    • El Viejo Topo

      Pablo Martínez

      págs. 169-170

      

    • Insubordination in Spain Authoritarian Socialist Modernity and Widespread Antagonistic Disobedience

      Carlos Prieto del Campo

      págs. 171-175

      

    • 'No to Compulsory Military Service’

      Merve Elveren, Erman Ata Uncu

      págs. 176-179

      

    • ‘Know Your Rights’

      Merve Elveren, Erman Ata Uncu

      págs. 180-181

      

  • Part 2.2. Civil Liberties

    • Contradictions of the Socialist Civil Society in Nineteen-Eighties Yugoslavia

      Gal Kirn

      págs. 184-193

      

    • Verbal Delict

      Neža Kogovšek Šalamon

      págs. 194-195

      

    • ‘Petition of Intellectuals’

      Merve Elveren, Erman Ata Uncu

      págs. 196-201

      

    • Rocío, 88 minutes, Tangana Films A Film by Fernando Ruiz and Ana Vila

      Pedro G. Romero

      págs. 202-205

      

    • Policing the Crisis, The People’s Account and Handsworth Songs

      Nick Aikens

      págs. 206-207

      

    • The Feminist Movement in Nineteen-Eighties Spain Emergence and Fragmentation

      Lourdes Méndez Pérez

      págs. 208-215

      

    • The Danger to Society and Social Rehabilitation Law

      Teresa Grandas

      págs. 216-217

      

    • AIDS, Sexual Dissidence and Biopolitical Activism

      Jesús Carrillo Castillo

      págs. 218-223

      

    • The Birth of the Gay Scene in Slovenia

      Igor Španjol

      págs. 224-225

      

    • ‘Pretended’ Family Relationships, Sunil Gupta

      Nick Aikens

      págs. 226-230

      

    • ‘100%’

      Beatriz Herráez

      págs. 231-233

      

  • Part 3. Processes of Identification

    • Processes of identification. Introduction

      Nataša Petrešin-Bachelez

      págs. 236-239

      

  • Part 3.1. Hybridity and Anti-Imperialism

    • Unity in Difference Artistic Practices Across Class, Sex and Race in Black British Art

      Amna Malik

      págs. 242-249

      

    • Black Phoenix

      Nick Aikens

      págs. 250-252

      

    • '5 Black Women’, ‘Black WomanTime Now’ and ‘The Thin Black Line’

      Lubaina Himid

      págs. 253-255

      

    • Black Women’s Movement (ZMV)

      Diana Franssen

      págs. 256-257

      

    • ‘Double Dutch’

      Diana Franssen

      págs. 258-261

      

    • J. Lambrecht & The Belgian Institute for World Affairs in the Eighties

      Chris Straetling

      págs. 262-263

      

  • Part 3.2. Bodies Put up a Fight

    • Nation, Democracy and Gender

      Ayşe Düzkan

      págs. 266-273

      

    • From ‘Personal is Political’ to ‘Women in Black’

      Merve Elveren, Erman Ata Uncu

      págs. 274-275

      

    • 'Irritating’ New Feminism of the NineteenEighties in Ljubljana

      Tea Hvala

      págs. 278-281

      

    • Being There A Very Partial Traverse of European Exhibitions and AIDS Activism at the end of the Twentieth Century

      Elisabeth Lebovici

      págs. 282-291

      

    • Pepe Espaliú, Carrying, 1992, Performance

      Lola Hinojosa

      págs. 292-295

      

    • Being Called a Lunatic Should Become a Compliment! The Antipsychiatry Movement in Slovenia

      Bojana Piskur

      págs. 296-299

      

    • Hugo Roelandt

      Antony Hudek

      págs. 300-301

      

    • 143.353 (the eyes do not want to be always shut)

      Marcelo Expósito

      págs. 302-303

      

  • Part 4. New Order

    • New order. Introduction

      Nick Aikens

      págs. 306-311

      

  • Part 4.1. Capital and its Crises

    • When History Was Gone

      Boris Buden

      págs. 314-321

      

    • Numax presenta

      Pablo Martínez

      págs. 322-323

      

    • Docklands Community Poster Project, London

      Charles Esche

      págs. 324-326

      

    • Genuine ‘KOT’ or ‘Muhteşem’ Copies

      Meriç Öner

      págs. 327-329

      

    • Hüseyin Bahri Alptekin

      Nav Haq

      págs. 330-333

      

    • Freedom for What? The Uses of Freedom, between Dictatorship and Democracy in Portugal

      Luís Trindade

      págs. 334-341

      

    • The Formation of the Slovenian Lacanian School

      Aleš Mendiževec

      págs. 342-343

      

    • Declension

      Corinne Diserens

      págs. 344-353

      

    • Artists’ Initiatives in the Netherlands

      Diana Franssen

      págs. 354-355

      

    • Culture, That Government Invention

      Rafael Sánchez Ferlosio

      págs. 356-361

      

  • Part 4.2. 1989

    • ‘Terror in Prisons We Won’t Let You Kill Them’

      Merve Elveren, Erman Ata Uncu

      págs. 364-365

      

    • Mass Dancing and the Political (Un)Conscious

      Bojana Cvejic, Marta Popivoda, Ana Vujanovic

      págs. 366-369

      

    • ‘Yugoslav Documents ’89’

      Zdenka Badovinac, Bojana Piskur

      págs. 370-371

      

    • Novie Khudozhniki (New Artists Group) St. Petersburg in the Eighties

      Nav Haq

      págs. 372-373

      

    • Absolute Majority Syndrome

      Mar Villaespesa

      págs. 374-377

      

    • Sin ir más lejos

      Rogelio López Cuenca

      págs. 378-379

      

    • ‘The Other Story: Afro-Asian Artists in Post-War Britain’

      Charles Esche

      págs. 380-382

      

    • 1989 — The Second Summer of Love

      Nav Haq

      págs. 383-385