Bold Imitator: Greek “Orders,” the Autodidact Polymath Architect and the Apollonion of Syracuse
págs. 1-20
págs. 23-36
How to play the Platonic flute: Mimēsis and Truth in Republic X
págs. 37-48
págs. 49-60
págs. 61-74
págs. 75-86
The Divine Poet: Mimēsis and Homoiosis Theoi in Plato
págs. 89-102
págs. 103-112
págs. 113-126
págs. 127-134
págs. 137-148
págs. 149-158
págs. 159-172
págs. 175-186
págs. 187-200
Mimēsis in Diodorus Siculus: The Role of History and Sicilian Role models
Iris Sulimani
págs. 201-214
The Socio-Cultural Chameleon: Mimēsis in Plato’s Sophist and the Mimetic Skill of Alcibiades
págs. 215-228
págs. 231-246
Mousikē and Mimēsis: Some Aspects of Western Greek Musical Culture
págs. 247-260
Mimesi, un esempio post-classico: il POxy 2746
págs. 261-278
Ritual Imitation During the Thesmophoria at Syracuse: Timaeus of Tauromenium’s History of Sicily
págs. 279-292
”Imitating” vs ”Inventing”: Defining Stagecraft in Plautine Comedy
págs. 293-310
Herms: From Custodians of Boundaries to Custodians of Gardens
págs. 313-324
The Limits of Greek Painting: From Mimēsis to Abstraction
págs. 325-338
Mimēsis for a Cult: The Case of Western Greek Clay Figurines of Female Dancers
págs. 339-356
págs. 357-367
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