Información General

• Autores: Carlos Luis Marcos Alba (coord.)
• Editores: Springer Suiza
• Año de publicación: 2019
• País: Suiza
• Idioma: inglés
• ISBN: 978-3-319-93749-6, 978-3-319-93748-9
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • "Graphic Imprints. The influence of representation and ideation tools in architecture"

    Pablo Jeremías Juan Gutiérrez (res.)

    [i2] : Investigación e Innovación en Arquitectura y Territorio, ISSN-e 2341-0515, Vol. 7, Nº. 1, 2019

Resumen

• This is the Proceedings of the International Congress of Graphic Design in Architecture, EGA 2018, held in Alicante, Spain, May 30-June 1, 2018.

  About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Esta obra consta de los siguientes volúmenes

• Vol. 1
• Vol. 2

Listado de artículos

• Vol. 1. 2019

  • Drawing and Project

    • HUNCH 1972: A Second Experiment in Sketch Recognition or: "I Know the Concept of Your Concept of Interpolation"

      Liss Werner

      • Resumen
      • Texto completo

      págs. 3-11

      

    • Poetics of Code/Code of Poetics. Generative Design Applied to "Arte Concreta" Masterpieces

      Manuel Alejandro Ródenas López, Pedro Miguel Jiménez Vicario, Andrea Giordano

      págs. 23-37

      

    • The Constructive Drawings of the Architect Juan Antonio García Solera

      Justo Oliva Meyer, Joan Calduch Cervera

      págs. 38-52

      

    • The University of Sussex by Basil Spence: Graphical Insight of the First "Plateglass University"

      Laura Lizondo Sevilla, Débora Domingo Calabuig

      págs. 53-65

      

    • Between Antinomy and Symmetry. Architectural Drawings of Presentation and Comparison in the XVI Century

      Fabio Colonnese, Marco Carpiceci

      págs. 66-78

      

    • Drawings in Colour. The Royal Bullring of El Puerto de Santa María (Cádiz)

      José Carlos Galán Jiménez

      págs. 79-91

      

    • Charlotte Perriand's Drawings. The Graphical Representation of a Modern Life

      María Pura Moreno Moreno, María José Climent Mondéjar

      págs. 92-104

      

    • Interpreting Art Nouveau in Drawings by Gino Coppedé

      Laura Carnevali, Marco Fasolo, Fabio Lanfranchi

      págs. 105-117

      

    • Colourimetry as strategy for geometry conversion: Computing Evo-Devo Patterns

      Diego Navarro Mateu, Ana Cocho Bermejo

      págs. 118-130

      

    • Javier Carvajal or the Architect's Special Affinity with Drawing

      Fátima Sarasola Rubio

      págs. 131-141

      

    • Hassan Fathy, Aldo van Eyck and Bernard Rudofsky Drawing Architecture

      Alejandro Campos Uribe, Paula Lacomba Montes

      págs. 142-155

      

    • Twenty Century Design Drawings in Italy: The Case of Aldo Morbelli and Carlo Mollino

      Roberta Spallone

      págs. 156-168

      

    • Images and Learning in Architectural Ideation

      Angelique Trachana, Antonio Martínez Aguado

      págs. 169-182

      

    • Parametric Architecture and Representation, the Experiments of Luigi Moretti

      Caterina Palestini, Alessandro Basso

      págs. 183-198

      

    • "To Understand and to Make Understood". Annotations on Two Competitions by Enric Miralles

      Isabel Zaragoza, Jesús Esquinas Dessy

      págs. 199-210

      

    • Some Facets of Visual Thinking in Architecture

      Anna Marotta, Martino Pavignano

      págs. 211-221

      

    • The Drawings of Horacio Baliero, Between Architecture and Landscape

      María Soledad Bustamante

      págs. 222-230

      

    • Ruled Surfaces and Parametric Design

      María Isabel Gómez Sánchez, Ana González Uriel, Ismael García Ríos

      págs. 231-241

      

    • The Fifties Graphic Expression in the Architectural Project. A Pararell Between Europe and America

      Pasquale Tunzi

      págs. 242-251

      

    • Training the Inspiration to Ideate Architecture

      Concepción Rodríguez Moreno

      págs. 252-263

      

    • Information Design: Communication-Design-Record

      Belén Butragueño Díaz-Guerra, María Asunción Salgado de la Rosa, Javier Francisco Raposo Grau

      págs. 264-273

      

    • Drawing a New Architectural Paradigm

      Iván Capdevila Castellanos, Vicente Iborra Pallarés

      págs. 274-284

      

    • Sequential Tectographs: A Graphic Resource for the Constructive Interpretation of Architectural Works

      Pedro José Barrero Ortega, Luis Riesco Leal

      págs. 285-298

      

    • Analysis and Representation of Standardization Processes in Historic Buildings by HBIAM

      Maria Laura Rossi

      págs. 299-312

      

    • Competition for the Film Theatre and Library of Catalonia an Overview of the City Derived from the Process fo Architectural Design

      Maite Aguado

      págs. 313-323

      

    • Augmented Graphic Thinking

      Mauro Chiarella, Underlea Miotto Bruscato, GonÇalo Castro Henriques, Carla Beatriz Tortul

      págs. 335-346

      

    • Imaginaries Triggers of the Ronchamp Project

      José Antonio Merino Sáenz

      págs. 347-358

      

    • Analog and Digital Drawing: Complementation Drawing and Hybrid Drawing

      Mónica Gómez Zepeda

      págs. 359-372

      

    • The Sketch: An Ageless Drawing

      Clara Eugenia Maestre Galindo

      págs. 373-382

      

    • Graphic Languages as Complementary Systems for Knowledge: Snapshots and Relationships from the History of Representation

      Giuseppa Novello, Maurizio Marco Bocconcino

      págs. 383-393

      

    • Manual Drawing as Means of Reflexion, in the Graphic Ideation

      Jessica López Sánchez, Jorge Agustín García García

      págs. 394-404

      

  • Architecture and Re-presentation

    • Multidimensional Space: From Perspective to Big Data

      Pablo Lorenzo Eiroa

      págs. 407-426

      

    • Surveying and 3D Modelling of the Andrea Palladio's Teatro Olimpico in Vicenza. First Studies on Geometric Analysis and Perspectives

      Giuseppe Amoruso, Alberto Sdegno, Andrea Manti

      págs. 427-438

      

    • Geometric Analysis of Two Brick Ribbed Vaults from the 14th Century in Aragón

      Miguel Sancho Mir, Beatriz Martín Domínguez, Juan Carlos Salas Ballestín

      págs. 439-450

      

    • Representation and Construction of Skewed Masonry Arch Bridges in England Between 18th and 19th Century

      Stefano Chiarenza

      págs. 451-465

      

    • The Architecture of the Altes Museum in Schinkel's Drawings

      Víctor Hugo Velázquez

      págs. 466-478

      

    • "The Hand, Sister of Eye". Architectural Models in Atelier Le Corbusier

      Miguel Ángel de la Cova Morillo-Velarde

      págs. 479-491

      

    • The Mausoleum of Galla Placidia in Ravenna: Archaeoastronomy, Numbers, Geometry and Communication

      Manuela Incerti, Gaia Lavoratti, Sara D'Amico, Stefano Giannetti

      págs. 492-505

      

    • The Graphic Evolution of Architectural Competitions

      Mercedes Carbonell Segarra, Asunción Díaz García

      págs. 506-520

      

    • Modelling and Visualization Issues in the Architectural Heritage BIM

      Pamela Maiezza, Alessandra Tata

      págs. 521-531

      

    • The Scale Model as a Paradigm of Information Systems. The Large-Scale Model of Pompei

      Adriana Rossi, Pedro M. Cabezos Bernal

      págs. 532-540

      

    • Digital Scenarios and Virtual Environments for the Representation of Middle Eastern Architecture

      Francesca Picchio, Monica Bercigli,, Raffaella De Marco

      págs. 541-556

      

    • Graphic Representation and Geometric Analysis of the Springers of the Star Vault of the Chapter House of Santa María Monastery in Simat de Valldigna (Valencia, Spain)

      Esther Capilla Tamborero

      págs. 557-572

      

    • A research tool for energy efficiency, the drawing

      Ernesto Echeverría Valiente, Flavio Celis D'Amico, Fernando da Casa Martín

      págs. 573-586

      

    • 10 Years of Urban Sketching Imprint

      Hugo Barros Costa, Salvador Gilabert Sanz, Pedro Molina Siles

      págs. 587-593

      

    • The Averinga's Edicola and the Cult of Water in Palermo. From Knowledge to Valorisation

      Francesco Di Paola, Giovanni Fatta, Calogero Vinci

      págs. 594-609

      

    • Urban Space and Places of Memory: The Survey as a Tool for Investigating the Process of Transformation

      Marcello Balzani, Federica Maietti

      págs. 610-622

      

    • Heritage Dissemination Through the Virtual and Augmented Realities

      Eduardo María Baviera Llópez, Jorge Llopis Verdú, Jorge Francisco Martínez Piqueras, José Luis Denia Ríos

      págs. 623-632

      

    • Data, Models and Visualization: Connected Tools to Enhance the Fruition of the Architectural Heritage in the City of Padova

      Cristina Cecchini, Maria Rosaria Cundari, Valerio Palma, Federico Panarotto

      págs. 633-646

      

    • Tectonic Contradictions in Soft-Architecture

      Aitor Goitia Cruz

      págs. 647-656

      

    • Editorial Policies and Politics of Design in the Pre-case Study House Program Decade: The Visual Construction of California Arts & Architecture (193X-194X)

      José Parra Martínez, John Crosse

      págs. 657-671

      

    • Digital Instruments of Knowledge and Dissemination. The Re-presentation of Baroque Architecture in Sicily

      Rita Valenti, Emanuela Paternò

      págs. 672-684

      

    • The Role Of Drawing and Master Alarifes in the Study of the Sixteenth and Seventeenth Centuries Sevillian Housing from Graphical and Literary Documents

      María Núñez González

      págs. 685-698

      

    • Futurism and Parametricism: Two Sides of the Same Coin

      Juan María Sarrió García

      págs. 699-709

      

    • The Artist David Roberts' Architectural Design for the Scott Monument, Edinburgh

      Martin Sorowka

      págs. 710-722

      

    • From Worksite Tracing Drawings to Integrated Digital Models for Reconstructing and Preserving Cultural Heritage

      Carlo Bianchini, Alfonso Ippolito, Carlo Inglese, Martina Attenni, Valeria Caniglia, Marika Griffo

      págs. 723-738

      

    • The Avant-Garde in the Work of Fernando García Mercadal

      Noelia Cervero Sánchez, Aurelio Vallespín Muniesa, Ignacio Cabodevilla Artieda

      págs. 739-751

      

    • Comics as a Means of Architecture Representation

      Vincenzo Bagnolo, Laura Lusso

      págs. 752-763

      

    • Old Drawings to Project the New Royal Palace of Madrid

      Ángel Martínez Díaz

      págs. 764-776

      

    • The Drawing of the Cultori-di-Architettura for the Sea of Rome. Ostia Marittima 1916-2016

      Antonella Salucci

      págs. 777-788

      

    • Movement and Immobility: The Two Faces of Representation

      Laura Carlevaris

      págs. 789-802

      

    • The Architectural Imprint of Ideas

      Amparo Bernal López-Sanvicente

      págs. 803-813

      

    • The Symbolism of Figurative Expression

      Pablo Jeremías Juan Gutiérrez, Ricardo Irles Parreño

      • Resumen

      págs. 814-825

      

    • The Invention and the "Rule": The San Carlo Alle Quattro Fontane Complex

      Giuseppe Antuono

      • Resumen

      págs. 826-834

      

    • BIM Methodology in Heritage Management

      Jorge Molinero Sánchez, Antonio J. Gómez-Blanco Pontes, Esteban José Rivas López

      págs. 835-843

      

    • Graphic Narration of Places: The Vomero Through the Illustrated Magazines Between "800 and" 900

      Maria Martone

      págs. 844-856

      

    • Makers of Atmospheres. The Image Beyond the Architecture

      Marta Alonso Rodríguez, Noelia Galván Desvaux, Antonio Álvaro Tordesillas

      págs. 857-866

      

    • Industrial Palace, Stretching What Graphic Narratives Can Do for Architecture

      Óscar Rubio, Ester Gisbert Alemany, Carlos Luis Marcos Alba

      págs. 867-880

      

    • Digital Information Archives for an Integrated Documentation of Eremitical Settlements on Amalfi Coast

      Pierpaolo D'Agostino, Barbara Messina

      págs. 881-893

      

    • The 1740 Neapolitan Festivities Drawings

      Vincenzo Cirillo

      págs. 894-906

      

    • Sant'Elmo in Naples. A Castle to Be Rediscovered

      Cesare Cundari

      págs. 907-914

      

    • Enric Miralles, Narration and Creation Through Drawing and Compositions

      Salvador Gilabert Sanz, Hugo António Barros da Rocha e Costa

      págs. 915-926

      

    • Project the World by Drawing. The Four Books of Francisco de Asís Cabrero

      José de Coca Leicher

      págs. 927-939

      

    • Parametric Processes in Implementing H-BIM on Historical Architecture

      María Concepción López Gonzalez, Jorge García Valldecabres

      págs. 940-950

      

    • The Hybrid Project: Graphic Strategies for Projects on the Architectural Heritage

      Álvaro Moral García, Enrique Jerez Abajo, Eduardo Carazo Lefort

      págs. 951-962

      

    • Based on the Drawing of Vega Y Verdugo, the Reproduction of the Western Facade of the Cathedral of Santiago de Compostela

      Mónica del Río Muñoz

      págs. 963-974

      

    • From the Architecture Treatises to the Portfolio: The Etchings of Piranesi

      Carlos Luis Marcos Alba, Andrés Martínez Medina

      págs. 975-990

      

    • Light Architectures. The Architectural Representation Between Holography and Reality Increased

      Giovanni Mongiello, Riccardo Tavolare, Cesare Verdoscia, Alessia Salomone

      págs. 991-999

      

    • Proposal of Graphic Restitution of Linear Landscape

      Josefa Ros Torres, Gemma Vázquez Arenas, Josefa García León

      págs. 1000-1009

      

    • A Graphic Vision of the Headquarters of the Religious Communities of Zamora

      Daniel López Bragado, Víctor Antonio Lafuente Sánchez

      págs. 1010-1019

      

    • The Roman Circus of the City of Tarragona. 10 Years of Collaboration Between Architects and Archaeologists

      Pau Solà Morales, J. M. Macias, J. M. Puche Puche, Josep Maria Toldrà Domingo, I. Fernández

      págs. 1020-1029

      

    • The Cultural, Geometric, Virtual Models for the Representation of a Survey

      Emma Mandelli, Alessandro Merlo

      págs. 1030-1037

      

    • Lugo Cathedral's Cloister: Context and Graphic Description

      Luis Hermida González

      págs. 1038-1046

      

    • The Graphic Fonts for the Restoration of the Puerta de Marchena, Moved in 1913 from the Duque de Arcos' Palace, in Marchena, to the Real Alcázar of Seville

      Antonio José Albardonedo Freire, María Dolores Robador González, Carmen de Tena Ramírez

      págs. 1047-1061

      

• Vol. 2. 2019

  • Representation Materiality and Digital Fabrication

    • Augmented Graphic Thinking in Geometry. Developable Architectural Surfaces in Experimental Pavilions

      Andrés Martín-Pastor

      págs. 1065-1075

      

    • Little Big Models. The Tools of Japanese Architect Studios

      Marta Úbeda Blanco, Daniel Villalobos Alonso, Sara Pérez Barreiro

      págs. 1076-1086

      

    • Digital Tools for Architectural Conception

      Alberto T. Estévez

      págs. 1087-1097

      

    • Geo-Solar Geometry. A Teaching Tool for Understanding the Sun Orbits Around Any Point on Earth: A Global Three-Dimensional Solar Chart

      Ramón Maestre López-Salazar

      págs. 1098-1107

      

    • Self-assembling Architecture. User Graphic Manuals

      Sonia Izquierdo Esteban

      págs. 1108-1116

      

    • Kerf-Bending Tests: Design for Manufacturing Doubly Ruled Surfaces

      Emanuela Lanzara, Mara Capone

      págs. 1117-1130

      

    • The Geometric Cast-Shadows for the Motivation Retrieval

      Antonio Álvaro Tordesillas, María Alonso Rodríguez, Noelia Galván Desvaux

      págs. 1131-1140

      

    • Chair_ludus: Re-drawing the Gerrit Rietveld Chairs

      Marcello Balzani, Luca Rossato, Francesco Viroli

      págs. 1141-1149

      

    • The Physical Modeling in Architectural Design: The Serial Plans

      Amélia de Farias Panet Barros, Aluizia Márcia Fonseca de Lima

      págs. 1150-1160

      

    • The Digital Model as a Nexus Between the Drawn and the Constructed. Tha Basilica of Santa Maria of Elche as an Example

      Santiago Vilella Bas

      págs. 1161-1174

      

  • Cartographies, Mappings, City and Territory

    • Views of Seville Environs Until 1800

      Tomás Díaz-Zamudio, Antonio Gámiz Gordo

      págs. 1177-1188

      

    • Tecnological Gaze: Digital Techniques of Landscape Representation

      Gabriella Liva

      págs. 1189-1197

      

    • Digital Representation of Urban Changes: Fragments of the Medieval Palermo

      Vincenza Garofalo

      págs. 1198-1211

      

    • The Survey Plan of Madrid Conducted by Carlos María de Castro

      Luis de Sobrón Martínez

      págs. 1212-1226

      

    • Visual Connections as a Palimpsest of the Coastal Landscape: The System of Coastal Towers of Sardinia

      Vincenzo Bagnolo, Andrea Pirinu

      págs. 1227-1240

      

    • The Importance of Historical Cartography: Its Use in Patrimonial Research. The Case of the Conventual Seville

      Mercedes Molina-Liñán

      págs. 1241-1247

      

    • Drawing Cities and Villages in the Landscape

      Juan Manuel Báez Mezquita

      págs. 1248-1258

      

    • Hydraulic Infrastructures and Territory: The Cartography of Mythical and Projected Canals in the Lower Guadalquivir and Jerez de la Frontera (1581-1778)

      José Peral López, José Manuel Aladro Prieto

      págs. 1259-1270

      

    • Cartographies and Graphic Models for the Representation of the Mediterranean Space and Its Human Flows

      Manuela Bassetta

      págs. 1271-1279

      

  • Projections and Architectural Space

    • New Graphic Tools for Hospital's Spatial Analysis and Design

      Pilar Chías Navarro, Tomás Abad Balboa, Gonzalo García-Rosales González-Fierro

      págs. 1283-1292

      

    • Anamorphic Perspective and Architectural Space. Two Works by Felice Varini and Georges Rousse

      Giovanni Caffio

      págs. 1293-1302

      

    • Inside the Geometry, that Is Inside the Architecture

      Antonio Mollicone

      págs. 1303-1310

      

    • The Music of Sant Fructuós' Measures

      Francisco Javier González Pérez, Antonio Millán Gómez

      págs. 1311-1321

      

  • Architecture, Phenomenology, Perception and Interaction

    • Virtual Tours for the Dissemination of Architectural Heritage. The Almudín of Valencia

      Martín Cipoletta, Pedro M. Cabezos Bernal, Daniel Martín Fuentes

      págs. 1325-1334

      

    • Sensitive Experience on the Steven Holl Architectural Drawings: Phenomenon, Fragment and Device

      Ángel Allepuz Pedreño

      págs. 1335-1349

      

    • Architecture and dejà vus

      Antonio Amado

      págs. 1350-1359

      

    • Movements by Drawing: Avant-Garde Set-Design and Sound Landscapes

      Starlight Vattano

      págs. 1360-1371

      

    • Synchronized Artificial Natures: The Secret Life of Trees Connecting York, Delft and Alicante

      José Carrasco Hortal, Francesc Josep Morales Menárguez, Salvador Serrano Salazar, Mark David Hosale, Friso Gouwetor

      págs. 1372-1386

      

    • A New App to Assess the Visual Impact of Buildings In Historical City Centers Called LandArch

      Juan Serra Lluch, Susana Iñarra Abad, Pedro M. Cabezos Bernal, Francisco Javier Cortina Maruenda

      págs. 1387-1398

      

    • Wayfinding systems and color to increase well-being in healthcare facilities spaces

      Gonzalo García-Rosales González-Fierro, Pilar Chías Navarro, Manuel de Miguel Sánchez, Enrique Castaño Perea

      págs. 1399-1410

      

    • Thinking and Intelligence in the Architectural Design. A Review from Language, Graphuage and Manuage

      Mauricio Arnoldo Cárcamo Pino

      págs. 1411-1423

      

    • Drawing on Architectural Skin. Mud Dihedral in "Paso Doble" of Miquel Barceló and Josef Nadj: Canvas of a Tragedy for Empirical Knowledge Through the Body and Senses

      Taciana Laredo Torres, Ricardo Santonja Jiménez

      págs. 1424-1432

      

    • Street Art in Naples in the Territory of the 8th Municipality

      Ornella Zerlenga, Fabiana Forte, Luciano Lauda

      págs. 1433-1448

      

    • A New Approach to Architectural Representation According to the Principles of Gestalt Perception

      Víctor Antonio Lafuente Sánchez, Daniel López Bragado

      págs. 1449-1460

      

    • Influence of Light and the Geometry of Architectural Envelope Through "Experience of an Induced Way"

      José Ángel Ruiz Cáceres, Diego Tovar Monge, Yuriy Vatrala

      págs. 1461-1477

      

    • Drawings and Images for an Inclusive Use of Cultural Heritage

      Cristina Cándito

      págs. 1478-1491

      

    • Design of Residential Centres for the Elderly and the Perception in Their Spaces

      Ana Torres Barchino, Jorge Llopis Verdú, Juan Serra Lluch, Anna Delcampo Carda

      págs. 1492-1502

      

    • Phenomenology of Minimalist Perception Applied to Can Lis (Porto Petro, Mallorca, Spain, 1971-1973)

      Juan Carlos Salas Ballestín

      págs. 1503-1516

      

    • Relationships Between Photography and Cinema and the Construction of the Architect's Gaze

      Francisco Granero Martín

      págs. 1517-1526

      

    • Morphographies: The New Graphic Category

      Juan Carlos Ortiz Tabarez

      págs. 1527-1532

      

    • The Presence of the Visible. Multisensory Experience in Art and Architecture

      Luis Navarro Jover

      págs. 1533-1540

      

  • Teaching Innovation and Research

    • 1543-Impact of BIM on Tools, Resources and Teaching Environments

      Iñigo León Cascante, José Javier Pérez Martínez

      págs. 1543-1553

      

    • Origami as a Tool for Three-Dimensional Architectonic Thought

      Carmen Escoda Pastor

      págs. 1554-1565

      

    • Graphic Classes in the Worldwide Classroom: A Comparison of Two MOOC Experiences

      Ester Pujadas Gispert, Ernesto Redondo Domínguez, Maria Rosa Estela i Carbonell

      págs. 1566-1576

      

    • Algorithm Design for Ruled Surfaces. Case Study of Felix Candela

      Federico Luis del Blanco García, Ismael García Ríos

      págs. 1577-1585

      

    • Oriented Approaches. Graphic Operations of Architectural Thinking

      Javier Francisco Raposo Grau, María Asunción Salgado de la Rosa, Belén Butragueño Díaz-Guerra

      págs. 1586-1598

      

    • Learning Creative Processes from a Constructivist Perspective

      Fernando Lancho Alvarado

      • Resumen

      págs. 1599-1608

      

    • Graphic Survey Using Automated Photogrammetry and Its Application to the Teaching Programs Linked to the Architectural Graphic Expression Area

      José Javier Pérez Martínez, Iñigo León Cascante

      págs. 1609-1617

      

    • Modular Components as a Generative Design Project Resource for Beginner Architecture Students

      Amelia de Farias Panet Barros, Juliana M. S. Costa Morais

      págs. 1618-1629

      

    • Actuality of Art Education at the Beginning of XX Century in East Europe: Graphic Constructions Through Gestaltung and Formenlehre in Figurative Creativities Teaching Pathways

      Alessandro Luigini, Starlight Vattano

      págs. 1630-1640

      

    • A Drawing Methodology Based on Graphic Experiences in the Alhambra

      Antonio García Bueno, Karina Medina Granados

      págs. 1641-1654