Información General

• Autores: Paul L. C. Torremans (coord.)
• Editores: Edward Elgar
• Año de publicación: 2017
• Edición: 2ª
• País: Reino Unido
• Idioma: inglés
• ISBN: 978-1-78536-142-5
• Texto completo no disponible (Saber más ...)

Resumen

• This second edition is a timely presentation of the state-of-the-art in copyright research. Copyright law is currently at the centre of many debates and the subject of substantive new developments. The new edition of the Research Handbook captures these fast moving developments and goes far beyond a mere update of the chapters. All of the topical chapters are completely new and the authors have been chosen for their expertise and excellence in the areas concerned. Research Handbook on Copyright Law offers global coverage, both in terms of substance and in terms of author expertise, and maps both the present and future of the discipline. It will prove an invaluable research tool for all those involved in copyright research who wish to keep up with the pace at which this area of law is evolving.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Walking the copyright tightrope

    Ysolde Gendreau

    págs. 1-30

    

  • Copyright history as book history: the law in multidisciplinary context

    Myra J. Tawfik

    págs. 31-56

    

  • Originality under EU copyright law

    Irini A. Stamatoudi

    págs. 57-84

    

  • When the Court of Justice of the European Union sets about defining exclusive rights: copyright quo vadis?

    Paul L. C. Torremans

    págs. 85-95

    

  • The right of "communication to the public" in the European Union

    Fabienne Brison, Sari Depreeuw

    págs. 96-134

    

  • The WIPO right of making available

    Gaetano Dimita

    págs. 135-177

    

  • Enforcing the EU right of communication to the public in cases of ubiquitous infringement

    Justin Koo

    págs. 178-199

    

  • Invitation for a "Europeanification" of moral rights

    Marie-Christine Janssens

    págs. 200-233

    

  • Does only compulsory collective management guarantee that an author actually receives his resale right?

    Hendrik Vanhees

    págs. 234-253

    

  • The remuneration of authors and performers in copyright

    Agnès Lucas-Schloetter

    págs. 254-272

    

  • Sampling of sound recordings in the United States and Germany: revival of a discussion on musical creativity

    Bernd Justin Jütte

    págs. 273-297

    

  • The borderless online user: carving up the market for online and streaming services

    Thomas Riis, Jens Schovsbo

    págs. 298-318

    

  • Private copying exception and payment of fair compensation: EU case-law

    Gemma Minero Alejandre

    págs. 319-342

    

  • Who owns the rights to works created within universities and public research organizations?: a Spanish case study

    María del Pilar Cámara Águila

    págs. 343-358

    

  • Who owns the orphans?: property in digital culture heritage assets

    Uma Suthersanen

    págs. 359-390

    

  • Copyright in works reproduced and published online by search engines

    Ernesto Rengifo García

    págs. 391-416

    

  • Collective management and exclusive rights: friends or foes?

    Sylvie Nérisson

    págs. 417-441

    

  • Copyright and related rights: outlining a case for European morality/public policy exclusion

    Justine Pila

    págs. 442-462

    

  • Copyright, contemporary intangible cultural heritage and freedom of expression: mapping the terrain

    Charlotte Waelde

    págs. 463-492

    

  • Albanian copyright law and compliance with EU legislation

    Blerina Mullisi

    págs. 493-511

    

  • Copyright infringement in Vietnam: recognizing the reasons and suggesting some solutions

    Nguyễn Hồ Bích Hằng

    págs. 512-538

    

  • Can copyright law be transplanted?: Vietnam's experiences with droit d'auteur, 1864-1975

    Kien Tran

    págs. 539-555

    

  • Copyright jurisdiction under EU private international law

    Paul L. C. Torremans

    págs. 556-574