Painting and illumination in early Renaissance Florence: the techniques of Lorenzo Monaco and his workshop
págs. 1-9
págs. 10-19
págs. 20-28
págs. 29-41
Benedetto da Maiano, Giuliano and Antonio de Sangallo and Baccio da Montelupo: workshop-specific construction techniques of Florentine Renaissance crucifixes
págs. 42-48
Altarpieces in Portugal: joinery techniques within the context of fifteenth- and sixteenth-century European workshop practice
págs. 49-59
Early Renaissance altarpieces in Transylvania: materials and technological characteristics
Cristina Serendan, David Hradil, Janka Hradilová, Joseph Cannataci
págs. 60-70
The altarpiece of Saint Dominic of Silos by Bartolomé Bermejo: an example of painting practices during the early Spanish Renaissance
María Dolores Gayo García, Maite Jover de Celis, Laura Alba Carcelén
págs. 71-78
Smoke and mirrors: the enhancement and simulation of gemstones in Renaissance Europe
págs. 79-89
The San Giovanni altar from Baptistery of Florence: the goldsmith's workshop through the fourteenth and fifteenth centuries
Pamela Bonanni, Andrea Cagnini, Natalia Cavalca, Monica Galeotti, Pier Andrea Mandò, Alessandro Migliori, Simone Porcinai, Marco Verità
págs. 90-97
"Christ carrying the Cross": a surviving "sarga" by Luis de Morales: technical examination and workshop practices
págs. 98-104
The "Botteghe degli Artisti": artistic enterprise at the della Rovere and Medici courts in the late sixteenth century
págs. 105-113
págs. 114-120
págs. 121-129
págs. 130-137
págs. 138-143
Sixteenth-century life-casting techniques: experimental reconstructions based on a preserved manuscript
págs. 144-151
Bernard Palissy: scientist and potter of the Renaissance in France
Anne Bouquillon, Françoise Barbe, Patrice Lehuédé, Jacques Castaing, Thierry Crépin-Leblond
págs. 152-159
Stylus drawing in the Renaissance workshop: investigating leadpoint and blind stylus in a Leonardo drawing
págs. 160-161
Technical analysis of a Renaissance limestone altarpiece
Ana Bidarra, Pedro Antunes, Teresa Desterro, João Coroado, Fernando T. Rocha
págs. 162-164
Analyses of Renaissance Venetian enamelled glasses from the Musée du Louvre
Isabelle Biron, Marco Verità, Françoise Barbe, Rosa Barovier Mentasti
págs. 165-166
págs. 167-169
págs. 170-171
research on metallic material in liturgical textiles of the fifteenth and sixteenth centuries: studies of production technology
Livio Ferrazza, David Juanes Barber, Mª Gertrudis Jaén Sánchez
págs. 172-174
Striptease and dressing-up in Titian's workshop: a technical comparison of the "young Girls" in the Galleria Palatina, the Hermitage and the Kunsthistoriches Museum
págs. 175-177
A treasured Renaissance manuscript, "Les Vies des femmes célèbres": laboratory investigations of the miniaturist Jean pichore's practices and techniques
págs. 178-181
"Grisaille" technique and materials in European Renaissance painted enamel objects: Limoges white, binding media, "chiaroscuro" and the interrelationship between crafts
págs. 182-184
Reassertion of a Renaissance jewel: the investigation of two enamelled pannels from the Wallace Collection
págs. 185-187
Describing the elusive: a project for new perspectives on the practices and the resources of illuminators in the north of Europe from the forteenth to the sixteenth century
págs. 188-190
págs. 191-192
págs. 193-196
Sixteenth-century Netherlandish workshop practices: technical investigation of the Copenhagen version of "Christ Driving the Traders from the Temple"
págs. 197-199
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