TENOR 2017: International Conference on Technologies for Music Notation and Representation : [24- 26 May 2017, University of A Coruña, Spain]
Información General
- Autores: Helena López Palma (coord.), Mike Solomon (coord.), Carmen Lage (coord.)
- Editores: Universidade da Coruña, Facultade de Filoloxía
- Año de publicación: 2017
- País: España
- Idioma: inglés
- Recoge los contenidos presentados a: International Conference on Technologies for Music Notation and Representation (3. 2017. A Coruña).
- Enlaces
Resumen
The third International Conference on Technologies for Music Notation and Representation seeks to focus on a set of specific research issues associated with Music Notation that were elaborated at the first two editions of TENOR in Paris and Cambridge. The theme of the conference is vocal music, whereas the pre-conference workshops focus on innovative technological approaches to music notation.
Listado de artículos
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Keynote: Musical archiving technology
Digitization of historial music archives: preserving the past, embracing the future
págs. 1-8
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Session 1: Music transcription
págs. 9-15
págs. 17-23
págs. 25-32
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Session 2: Graphic notation
págs. 33-38
págs. 39-49
págs. 51-56
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Session 3: Visualization and analysis
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Session 4: Ontology
págs. 79-89
Formalizing quality rules on music notation. An ontology-based approach
Samira Cherfi, Fayçal Hamdi, Philippe Rigaux, Virginie Thion, Nicolas Travers
págs. 91-97
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Session 5: Voice
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Session 6: Interaction
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Session 7: Music
Timed sequences: a framework for computer-aided composition with temporal structures
págs. 131-136
The house harmonic filler: interactive exploration of chord sequences by means of an intuitive representation
págs. 137-143
págs. 145-153
págs. 155-159
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Session 8: Collaboration
Vexations of ephemerality: extreme sight-reading in situative scores - for makers, performers, audiences
págs. 161-166
págs. 167-170
págs. 171-183
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Concert
págs. 185-190
págs. 191-200
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