The history of human interaction around the globe with its extraordinary mobility, hostility, productivity and creativity has clearly been driven as much by the infringement of borders as by their maintenance. This collection of essays scrutinizes the functions of borders, demarcations and their transgression in literature and other cultural artefacts. This resolutely interdisciplinary volume straddles a number of literary domains and also celebrates intermedial and generic transgressions, with its own internal borders being inhabited by a photo essay and two cycles of poems by contemporary Australian poets. These disciplinary and artistic border-crossings index a fundamental mobility, whether geographical, cultural or intellectual, which provides the very grounds upon which the volume's critical undertaking reposes.
Invasion and pathology: Australia, Mabo, McGahan, and Malouf
págs. 17-29
Boundary trouble: trauma fiction and postcolonialism in Tim Winton's The Turning
págs. 33-44
Fade to white: literary representations of colonial mulattoes in fascist Italy
págs. 47-64
Blood, meat, and teeth: the politics of the Belly in Goretti Kyomuhendo's Waiting
págs. 67-83
págs. 87-95
Using the "Modder" tongue: As time Goes by and the stage and language of New Britain
págs. 101-116
I heart New York: Berlin and transnational jewishness in Max Minsky and me
págs. 119-130
págs. 133-141
págs. 145-154
Brown skins in black states: contextualising post-colonial
págs. 157-183
A Straight elliptical Wobble: Afro-European transculturalism and Jamal Mahjoub's Travelling with Djinns
págs. 187-200
págs. 203-209
págs. 215-230
Crossing the borders of host and guest: openings and clousures of hospitality in Angelina N. Sithebe's Holy Hill
págs. 233-250
págs. 253-265
págs. 269-276
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