pág. 1
pág. 2
A quest for modernism: Photography and architecture in the work of Mário Novaes, 1920's-1930's
pág. 3
The "Salt of the Stones": Preliminary remarks on architecture and photography - The ZRB files
pág. 4
The photography's role in the construction of the Modernity discourse in Bogotá: Analysis of the Proa Magazine Case (1946-1951)
pág. 5
Visualizing Portugal: Pedro Cid's Pavilion at the 1958 Brussels World Fair Through photography
pág. 6
The photography in the Spanish Pavilion at the IX Trienal, Milán 1951
Anna Martínez Durán, Isabela de Rentería Cano, Claudia Rueda Velázquez
pág. 7
Mediating and materializing / Perceiving and to participating: An exhibition script about photography and architecture
pág. 8
pág. 9
pág. 10
Seeing double: Modern architecture, photography and the automobile
pág. 11
pág. 12
Diane Arbus, Thomas Ruff and Fernando Guerra: Photogenic on the portrait photography and architectural photography
pág. 13
pág. 14
Portraying modernism: Ezra Stoller's and Julius Shulman's different approaches
pág. 15
Photography and vernacular architecture: The portuguese approach
pág. 16
pág. 17
A photography enquiry on the natural order of architecture: Edward Allen's picture of Trulli Buildind Technique
pág. 18
Photography, territorial description and design: Proposal for a methodological use of the medium
pág. 19
pág. 20
pág. 21
Photography and "Déjá vu" in architectural culture: Somewhete between theory and practice
pág. 22
The image of modern architecture in the Polish feature films of the 1960s: A photographic recording of modernity
pág. 23
Iconic photographs into film: The case of Le Corbusier and his use of photographic language
pág. 24
Collages and photomontages in architectural representation: The photographic works of Teófilo Rego
pág. 25
© 2001-2024 Fundación Dialnet · Todos los derechos reservados