Dramatic Architectures: Places of drama-drama for places
Información General
- Autores: Maria Helena Maia (dir. congr.), Jorge Palinhos (dir. congr.)
- Editores: Centro de Estudios Arnaldo Araújo
- Año de publicación: 2014
- País: Portugal
- Idioma: inglés
- Texto completo no disponible (Saber más ...)
Resumen
No tiene paginación. Sigue el orden consecutivo de las contribuciones.
- Citas a capítulos: 1 Citas
Listado de artículos
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Event-Space: absolute, abstrac & abject models for performance
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Liminal space in art: the (in)security of our vision
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Other lives and times in the Palace of Memory: an audio-walk carved through walls and shadows
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Hold me gentlyl: trust and intimacy in site-specific performative artworks by Lundahl & Seitl
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A house as space and memory: a case-study of Teatro do Vestido's performance "Até Comprava o Teu Amor"
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Architecture: the quest for the control of light
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The city of Nowa Huta: theatricalization of space
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Space and performance: researching place and gesture in real settings
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Theatre and Architecture: a Place Between
pág. 14
Photographs of the theatre that could not be: Maruja Mallo's stage designs
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Scenographic panoramic dispositif: visual-spatial immersion
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The Rose in 1592: architectural evolution of playhouses in late Sixteenth Century London
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An imperial stage: performing arts at the Hippodrome of Constantinople
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Drama and Project: The Little Scientific Theatre of Aldo Rossi
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Porosity of space: accumulation and reflection of meanings introduced by event
pág. 24
The concept of space performativity: critical analyses
pág. 25
Dramaturgy of space: establishing ephemeral chronotope in Architecture
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Compadre de Ogum (Ogum's pal): a theatre play based on Jorge Amado's novel in dialogue with a historical building in the city of Salvador
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Dramatic architecture: places for drama
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The architecture of space as embodied in neoclassical dance choreography: the work of George Balanchine captured through the camera lens of Paul Kolnik
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Marina Abramovic's Seven Deaths: Antiquity as a performing space
pág. 36
Narrating the spatiality of silence: drawing from the silence of Samuel Beckett and Andrei Tarkovsky
pág. 37
Spaces for creative production: experimental theatre, adaptive re-use, and institutional identity
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Theatre spaces in Portugal: building, adapting, experimentig
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