cocriticism has matured beyond nature writing, beyond writing about nature. The essays in this volume look at the broader cultural, historical, sociological, and psychological implications of ecology in written, visual, and sound culture. In keeping with our sense of a global community, these essays are representative of international scholarship on ecology and the environment, and display the range of insight of which this criticism is capable. Focusing on popular culture, this volume is in the vanguard of our collective reflections on the directions in which our various societies are going.
Introduction: Ecocritical spring and evolutionary discourse
págs. 1-16
págs. 17-35
Ecological narrative or imperial exploitation: What's the "Monster" in Animal Planet's River Monsters?
págs. 37-56
The representation of Nature: An ecocritical reading of Juan León Mera's Cumandá
págs. 57-73
págs. 75-92
A Passage to India: an ecocritical reading
págs. 93-100
Nature, women, and the ecotext: self-discovery in Emily Nasrallah's short stories "The Cocoon" and "The butterfly"
págs. 101-116
págs. 117-126
Omumu concept of begetting: a pro-feminist lesson from Chinua Achebe's Things fall apart
págs. 127-137
The legacy of the American war in Vietnam: Tim O'Brien's "Sweetheart of the song tra bong"
págs. 139-150
National narrative as wilderness: an ecocritical interpretation of "Civilización y barbarie" in Modern Argentine Literature
págs. 151-165
págs. 167-182
Is "Eco" enough?: Margaret Atwood's "Oryx and crake", Wayland Drew's "The Erthring cycle", and evolutionary fiction
págs. 183-198
© 2001-2026 Fundación Dialnet · Todos los derechos reservados