Monstrous conceptions: Reading Cronenbergs's "The Brood" (1979) and Anton Leader's "Children of the damned" (1963)
págs. 1-16
Sustenance for the body and the soul: Children as a vision of the future of humanity and a reflection of past sins in post-apocalyptic cinema
págs. 17-40
Perpetual horizons: reproductive futurity in post-apocalyptic films
págs. 41-59
The child is my warrant: virtue, violence, and "The road's" radical humanism
págs. 61-75
Space and children in post-apocalyptic film: "The road" and "Les temps du loup"
págs. 77-90
When Disney went apocalyptic: the symbolism of apocalyptic images in a post-9/11 world
págs. 91-106
Children of hope: the portrayal of children in post-apocalyptic films after 9/11
págs. 107-128
"Until the world deserves them": Representations of apocalyptic childhoods in "The day after", "Testament", and "Threads"
págs. 129-152
"Emperor tomato ketchup": the child as the Dictator of mankind
págs. 153-169
págs. 171-183
Persistently ambivalent: children, race, sexuality, and a post-apocalyptic Hollywood interracial future
págs. 185-205
"Not the Little blonde innocent you picture": race and "innocent" girldhoods in "The hunger games" fandom
págs. 207-220
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