The essays in the present volume attempt to historically reconstruct the various dependencies of philosophical and scientific knowledge of the material and technical culture of the Early Modern era and to draw systematic conclusions for the writing of Early Modern history of science.The divisive transformation of humanist scholarly culture, the Scholastic school philosophy, as well as magic in the form of a philosophy of practice is always associated with the work of Francis Bacon. All of these essays in this volume reflect the close interaction between technical models and knowledge production in natural philosophy, natural history and epistemology. It becomes clear that the technological developments of the Early Modern era cannot be adequately depicted in the form of a pure history of technology but rather only as part of a broader, cultural history of the sciences.
Industrious observations, grounded conclusions, and profitable inventions and discoveries; the best state of that province: technology and culture during Francis Bacon's stay in France
págs. 3-19
págs. 21-49
Technical knowledge and the advancement of learning: some questions about perfectibility and invention
págs. 51-66
págs. 67-130
págs. 133-195
Bacon's brotherhood and its classical sources: producing and communicating knowledge in the project of the great instauration
págs. 197-230
The whale under the microscope: technology and objectivity in two renaissance utopias
págs. 231-249
págs. 253-285
Legitimating the machine: the epistemological foundation of technological metaphor in the natural philosophy of René Descartes
págs. 287-336
págs. 337-372
págs. 375-409
Formal causes and mechanical causes: the analogy of the musical instruments in late seventeenth-century natural philosophy
págs. 411-428
The modern wonder and its enemies: courtly innovations in the spanish Renaissance
págs. 429-455
The gap between theory and practice: hydrodynamical and hydraulical utopias in the 18th century
págs. 457-493
págs. 495-513
págs. 515-538
Rescue attempts: scientific images and the mysteries of power in the era of Louis XIV
págs. 539-572
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