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Europe's new Hollywood?: The German film industry under Nazi Rule, 1933-45
págs. 1-24
'European cinema for Europe!': the International Film Chamber, 1935-42
págs. 25-41
págs. 42-57
Between resistance and collaboration: Austrian cinema and Nazism before and during the annexation, 1933-45
págs. 58-71
German influence on Belgian cinema, 1933-45: from low profile presence to downright colonisation
págs. 72-84
págs. 85-98
págs. 99-111
A dangerous neighbourhood: German cinema in the Czechoslovak region, 1933-45
págs. 112-129
págs. 130-147
Cinema goes to war: the German film policy in Greece during the occupation, 1941-44
págs. 148-158
Competitor or compatriot?: Hungarian film in the shadow of the swastika, 1933-44
David S. Frey
págs. 159-171
A war within the war: Italy, film, propaganda and the quest for cultural hegemony in Europe (1933-43)
págs. 172-186
Celluloid competition: German-Japanese film relations, 1929-45
págs. 187-197
From Dawn to Young Eagles: the (failed) attempt of Germanisation and Nazification of Luxembourg through cinema, 1933-44
págs. 198-206
págs. 207-219
págs. 220-230
Brown-red shadows: the influence of Third Reich and Soviet cinema on Afrikaans film, 1927-48
págs. 231-242
Film and politics in south-east Europe: Germany as 'leading cultural nation', 1933-45
págs. 243-252
págs. 253-264
págs. 265-275
Film propaganda and the balance between neutrality and alignment: Nazi films in Switzerland, 1933-45
págs. 276-288
'A thin stream issuing through closed lock gates': German cinema and the United Kingdom, 1933-45
Jo Fox
págs. 289-305
German films in America, 1933-45: public diplomacy and an uncoordinated information campaign
págs. 306-317
págs. 318-333
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